Sture Johannesson, datorserigrafi, 1993, signerad EA III/X.
Utan titel. P. 27 x 36 cm.
Ej examinerad ur ram.
Sture Johannesson (1935-2018) is a Swedish artist. He is known for running the legendary gallery Cannabis in Malmö and for his political and provocative works in a psychedelic underground style. Johannesson was often censored, for both his selective art works and for his exhibitions. His breakthrough as an artist came in 1968 with the famous poster “Friheten på Barrikaderna II” or “Haschflickan” (The Hash Girl) as it became known as. The poster depicted a naked woman smoking a pipe of hash.
Sture Johannesson and his wife, Charlotte Johannesson, were pioneers in digital art.
His early digital works were shown at the Computer Art Fair in 1974, and the played with optical illusions and effects. To be able to create their respective works, Sture and Charlotte Johannesson received help from Sten Kallin at IBM and by Steve Wozniak at Apple.
Sture Johannesson created album covers for artists such as Peps Persson and Kal P. Dal.
Johannesson is represented in the collections of MoMA, New York, Malmö Konsthall, Moderna Museet and Kulturen in Lund.
Sture Johannesson är en svensk grafisk bildkonstnär. Han är bland annat känd för att ha drivit det legendariska galleriet Cannabis i Malmö och för hans politiska och provokativa arbeten i en psykedelisk undergroundstil. Johannesson har fått flera utställningar och verk censurerade. Sitt nationella genombrott fick han 1968 då den idag kultförklarade affischen ”Friheten på barrikaderna II”, eller ”Haschflickan” som den senare kom att kallas, föreställande en naken haschrökande kvinna skapades.
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