Kan inte nå servern
Temaauktioner online
Tidlös skulptur E1152
Auktion:
Chalet Interiors E1096
Auktion:
Ett modernt urval F602
Auktion:
Einar Forseth F596
Auktion:
Silvermynt, en samling E1137
Auktion:
Inge Schiöler – verk på papper F611
Auktion:
Timeless Scarves E1151
Auktion:
Helsinki Design Sale F612
Auktion:
Liveauktioner
Contemporary Art & Design 662
Auktion: 15−16 april 2025
Important Timepieces 663
Auktion: 15 april 2025
Modern Art & Design 664
Auktion: 20−21 maj 2025
Important Spring Sale 665
Auktion: 11−13 juni 2025
1148
1593515

Okänd konstnär, ett par, gouache. Qingdynastin, sent 1700-tal.

Utropspris
80 000 - 100 000 SEK
7 160 - 8 950 EUR
7 180 - 8 980 USD
Klubbat pris
Återrop
Köpinformation
För konditionsrapport kontakta specialist
Cecilia Nordström
Stockholm
Cecilia Nordström
Ansvarig specialist asiatisk keramik och konsthantverk, äldre europeisk keramik samt glas
+46 (0)739 40 08 02
Okänd konstnär, ett par, gouache. Qingdynastin, sent 1700-tal.

Faktorierna i Kanton samt byggnader längst floden. Ur en serie målningar. Mått 70x42 cm. Mått med ram 79x52 cm.

Slitage, färgbortfall.

Proveniens

From the Collection of Esbjörn Kronberg, thence by descent.

Utställningar

Compare with Bonhams, Fine Chinese Art
7 November 2024, lot 159. Provenance; Martyn Gregory.

Övrig information

This is an early view of Canton painted in the western manner. Such views were produced by local artists for western m

This particular view of the western businesses or 'hongs' at Canton can be precisely dated by the flags flying, notably the pre-revolution white Bourbon flag marking the French 'factory', the flag replaced by the tricolour in 1791. The Imperial flag of the Austrian empire (flying between the French and Swedish flags) further dates the work to between 1779 and 1787, when British-owned ships under this flag are recorded at Canton. The carefully detailed figures on the waterfront (Europeans, Indians and Chinese, all male, as women were forbidden) are characteristic of these early views. The buildings see the quayside in transition, with western architectural elements being introduced in the second half of the 18th century, the classical façades of the western factories beginning to replace the local vernacular. The quayside here (narrow before the land reclaiming that would extend the frontage out into the river) runs from the creek on the right, which marked the eastern end of the foreigners' precinct, to the wall and Chinese customs house on the left, which marked the western end.