Kan inte nå servern
Temaauktioner online
Helsinki Winter Sale F504
Auktion:
Selected Gifts E1128
Auktion:
Curated Timepieces – november F529
Auktion:
Josef Frank med vänner – Winter Edition F534
Auktion:
Jerns Vapensamling E1122
Auktion:
En svensk privatsamling F578
Auktion:
The Beautiful Line F593
Auktion:
Design Jewellery Online E1100
Auktion:
1081
1528879

Tallrikar, sex stycken, kompaniporslin. Qingdynastin, Qianlong (1736-95).

Utropspris
4 000 - 6 000 SEK
354 - 531 EUR
362 - 543 USD
Klubbat pris
9 000 SEK
Köpinformation
För konditionsrapport kontakta specialist
Cecilia Nordström
Stockholm
Cecilia Nordström
Ansvarig specialist asiatisk keramik och konsthantverk, äldre europeisk keramik samt glas
+46 (0)739 40 08 02
Tallrikar, sex stycken, kompaniporslin. Qingdynastin, Qianlong (1736-95).

Konturerade med dekor i famille rosefärger av påfåglar i blommande trädgård. Diameter 23 cm.

Proveniens

From the Collection of Per Pahren. For other lots sold from this collection se Bukowskis, auction 580, 2014. Lot no 160, 263, 287, 288, 289, 290, 291, 294, 510.

Label from M Molvidson AB, Antique shop in Stockholm, Sweden.

Övrig information

This pattern, known as « Serviço dos Pavões » or « double peacocks Service », is one of the most famous design in Chinese Export Porcelain, specially in Portugal and Brazil.
The royal family of Portugal owned one service with it. When Napoleon invaded Portugal, The King Joao VI, soon Emperor of Brazil, fled in exile to Brazil and brought his six Chinese porcelain services with him, including this one. The royal and imperial family used it then at the Paço de São Cristóvão and at Fazenda Imperial de Santa Cruz.
It is known as the “viajante” service because, it first travelled from China to Portugal, and then from Portugal to Rio de Janeiro. When the Empire turned into the Republic of Brazil, the six Chinese porcelain services of the Joao VI were scattered through auctions held in 1890 by the auctioneer Joaquin Dias dos Santos in Rio de Janeiro. Since the archives of the auction house burned, it is now impossible to distinguish the pieces formerly owned by the King Joao VI from the pieces with this pattern produced at the same period.