"Way Ahead 1", 2009
Signerad Maria Friberg och numrerad AP 2/2 a tergo. Total upplaga 5 + 2 AP. C-print silikonmonterad på glas 50 x 294 cm.
Maria Friberg och Art and Theory Publishing, "Maria Friberg; Changed Positions", 2015, avbildad på uppslag sid 50-51.
"Way ahead is a photographic series about how we meet our future. You can
neither be in the future nor see the future, but you can have an idea of
what the future will bring and see a diffuse picture of it in your head.
Idea-wise I was inspired by paintings of historic battles such as the Battle
of Lützen, etc. Men rising up in the fog trying to see what has happened and
where they are. These paintings have also inspired me from a design
perspective, as they are often created in extreme horizontal formats. Long
and narrow, these pictures give a sense of time and concurrently refer to
the oblong screens of feature film. This horizontality also anchors the
pictures to the ground, they become extreme landscape paintings. The cut of
the images gives the feeling that you are sitting in a bunker looking out at
the world.
While working with this series of photographs, the battle field feeling has
become more and more a sense of uncertainty and optimism for the future.
Meeting that which is to come with expectation.
The men are standing and sitting like figures in an architecture model. They
are unreachable. They create perspective and direction in the diffuse
landscape with their bodies. It is these directions – inwards towards
themselves and outwards, forwards – that form the core of the work. A still
movement."
Citat från mariafriberg.com
Maria Friberg är en svensk konstnär som främst arbetar med fotografi och video. Hennes främsta tema är manlighet, hon undersöker de traditionella könsrollerna och de egenskaper som genom historien tillskrivits mannen. Sedan hon slog igenom på 1990-talet tillsammans med flera andra kvinnliga fotografer utbildade på fotoskolan i Göteborg har Friberg bjudit sin allt större publik på gåtfulla, starka och fantasifulla iscensatta bilder av män. De flyter stilla i bassängvatten, sitter inklämda i bilar, ibland sover de bland vita lakan eller så är bara underkroppen synlig där de sitter kostymklädda vid ett bord. Hon arbetar med iscensatt fotografi och använder sig ofta av konsthistoriska referenser. Friberg arbetar gärna i serier, där ett motiv varieras i flera olika verk. Några av hennes mest kända sviter är ”Still lives” och ”Almost there”.
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