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1411291

Karmstol, hardwood. Qingdynastin (1644-1912).

Utropspris
10 000 - 15 000 SEK
884 - 1 330 EUR
905 - 1 360 USD
Klubbat pris
Återrop
Köpinformation
För konditionsrapport kontakta specialist
Cecilia Nordström
Stockholm
Cecilia Nordström
Ansvarig specialist asiatisk keramik och konsthantverk, äldre europeisk keramik samt glas
+46 (0)739 40 08 02
Karmstol, hardwood. Qingdynastin (1644-1912).

Dekorer i reliefmönster. Sitsen klädd i rotting. Höjd rygg 87 cm, höjd sits 48,5 cm, bredd 56 cm.

Wear.

Proveniens

Purchased at Viktoria Lindström Antikhandel, Grevturegatan 28, Stockholm.

Viktoria Lindström started her career at Helge Lundgren (Lundgrens Antik) in the 1940’s, she then started up her own business at Grev Turegatan 28, and when the house was torn down she moved the business to Riddargatan. She was a dealer of good repute in Asian and Egyptian Art in Stockholm who sold both to museums and private collectors.

From the Collection of Art Director Ivar Björnberg (1934-2021). Growing up at Östermalm, Stockholm Ivar visited gallery viewings, auction viewings and antique shops with his parents and alone. It was during his visits to the antique dealers of Stockholm he became friends with the dealer Victoria Lindström, Grev Turegatan 28, Stockholm (1644-1912). He started to work extra at the gallery and had her as a mentor when starting his own collection. The collection is a academic one and it shows Mr Björnbergs taste and great passion for the aesthetics of Chinese Works of Art.

Utställningar

See a related pair sold at Sothebys, October 7th, 2015, lot 128 from the Collection of Dr S. Y. Yip.

Also compare a pair sold at Bonhams, San Francisco, lot no 8203, Thursday December 10, 2015.

Litteratur

See related pair at the Liang Yi Museum, published in Curtis Evarts. A Leisurely Pursuit. Splendid Hardwood Antiquities from the Liang Yi Museum. 2000. No 16. Page 78-79.

Övrig information

Chairs of this type are known as meiguiyi in the north but in the south they are known as wenyi or scholar's chair. The form is characterised by its low regular back and it is thought that when placed in the scholar's studio, it would fit neatly under the window without obstructing the view outside.