Katsushika Hokusai (1760-1849), färgträsnitt, Japan, cirka 1832.
"Banana Garden at Nakashima (Nakashima shôen) 琉球八景 中島蕉", från "Eight Views of the Ryûkyû Islands (Ryûkyû hakkei)". Bladstorlek 25.5 x 37 cm.
Slitage. Veck. Mittveck. Revor. Smärre fläckar. Beskuren i marginalen.
From the Collection of Axel Sjöberg (1866-1950). Thence by descent. Axel Sjöberg is a well-known Swedish painter, who is famous for his representations of the archipelago around Stockholm. He grew up at Skeppsholmen in Stockholm. In 1880 he was employed by Generalstabens litografiska anstalt where he also came to work with prints and photography. He illustrated several books. In 1909 there was a large exhibition with him at Liljevalchs konsthall but the real breakthrough for him was from his exhibitions in Copenhagen 1917 and at Liljevalchs in 1918
Compare with a similar impression in the collections of Museum of Fine Arts Boston with the accession number: 21.6704.
Compare one in the collection of The Metropolitan Museum, New York, Accession Number: JP2913. Bequest of Henry L. Phillips, 1939.
Hokusai's prints of the Ryūkyū were probably made to commemorate the Ryūkyū mission's arrival at Edo in November 1832. Although the original gazetteer that inspired Hokusai was in black and white, his series is in exquisite color. We can see not only his use of color to heighten the exotic ambiance of the Ryūkyū Islands, but also his imaginative power to make alien islands familiar in the guise of Eight Views. The artist carefully selected representative elements of the Eight Views, such as moon, sailboats and snow.