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Peter Beard

(USA, 1938-2020)
Utropspris
30 000 - 35 000 SEK
2 680 - 3 130 EUR
2 720 - 3 180 USD
Klubbat pris
20 000 SEK
Köpinformation
Bildrättigheter

Konstverken i denna databas är skyddade av upphovsrätt och får inte återges utan rättighetshavarnas tillstånd. Konstverken återges i denna databas med licens av Bildupphovsrätt.

För konditionsrapport kontakta specialist
Karin Aringer
Stockholm
Karin Aringer
Specialist fotografi och samtida konst
+46 (0)702 63 70 57
Peter Beard
(USA, 1938-2020)

"Jacques-Henri Lartigue", 1984

Signerad och daterad 1984 samt med dedikation: "To the one & only L'artigue! Inestimable admiration Warmest Regards, Always Peter (Beard)".
Triptyk, samramade. Gelatinsilverfotografi, bildyta 13 x 18 cm samt 18 x 36 cm.

Övrig information

Nedan följer delar ur en artikel från New York Times publicerad den 19 april 2020 med anledning av Peter Beards dramatiska bortgång vid 82-års ålder:

”Mr. Beard’s best-known work was the book “The End of the Game,” first published in 1965. Comprising his text and photographs, it documented not only the vanishing romance of Africa — a place long prized by Western colonialists for its open savannas and abundant big game — but also the tragedy of the continent’s imperiled wildlife, in particular the elephant.

[…]

In later years, Mr. Beard became famous for embellishing his photographic prints with ink and blood — either human (his own) or animal (from a butcher) — yielding complex, cryptic, multilayered surfaces.
He was also known for the idiosyncratic, genre-bending diaries that he had kept since he was a boy — profuse assemblages of words, images and found objects like stones, feathers, train tickets and toenail clippings — and for the large, even more profuse collages to which the diaries later gave wing.
But as renowned as he was for his work (he received solo exhibitions at the International Center of Photography in Manhattan, the Centre National de la Photographie in Paris and elsewhere), Mr. Beard remained at least as well known for his swashbuckling, highly public private life.
Even by the dashing standards of wildlife photography, his résumé was the stuff of high drama, full of daring, danger, romance and tall tales, many of them actually true. Had Mr. Beard not already existed, he might well have been the result of a collaborative brain wave by Hemingway, F. Scott Fitzgerald and Paul Bowles.
He was matinee-idol handsome and, as an heir to a fortune, wealthy long before his photographs began selling for hundreds of thousands of dollars apiece.
Besides documenting Africa’s vanishing fauna, he photographed some of the world’s most beautiful women in fashion shoots for Vogue, Elle and other magazines. He had well-documented romances with many of them, including Candice Bergen and Lee Radziwill, the sister of Jacqueline Kennedy Onassis.
“The last thing left in nature is the beauty of women, so I’m very happy photographing it,” Mr. Beard told the British newspaper The Observer in 1997.
He discovered one supermodel, Iman, and spun a fabulous legend about her origins. He was married for a time to another, Cheryl Tiegs.”