"Richard Gere, San Bernardino, 1979"
Signerad Herb Ritts och numrerad 22/25 a tergo. Även Copyrightstämplad. Gelatinsilverfotografi, bildyta 43 x 33,5 cm.
Tres Hombres Art, Halmstad.
Ett annat exemplar har ställts ut på:
The J. Paul Getty Museum at the Getty Center, Los Angeles, “Herb Ritts: L.A. Style”, 3 april – 2 september 2012.
Cincinnati Art Museum, “Herb Ritts: L.A. Style”, 6 oktober 2012 – 1 januari 2013.
The John and Mable Ringling Museum of Art, Sarasota, 23 februari – 19 maj 2013.
Herb Ritts, "Herb Ritts: Work", 1996, avbildad.
Herb Ritts är just nu aktuell med en utställning på välrenommerade galleriet Fahey/Klein i Los Angeles 14 september - 28 oktober 2017.
"In 2011 the Getty Museum announced the acquisition of 69 photographs by famed fashion and celebrity photographer Herb Ritts. The acquisition includes photographs of nudes, celebrity portraits, and images made for high-fashion ad campaigns.
A portrait of Richard Gere as a budding young actor taken by Ritts in 1977 is one of the highlights, but it also has an interesting backstory. In an interview with François Quintin in 1999, Ritts talked about this famous picture of his friend Richard, which depicts Gere as a new American hero—and which launched Ritts’s photography career. Here’s an excerpt from the interview, posted on the Herb Ritts Foundation’s website:
'I knew Richard’s girlfriend, Penny, who was an actress, and she introduced me to Richard. Actually, when I first started dabbling in photography, I was still working for my parents as a salesman. Penny was supposed to come to my house to take a head shot, but she never showed. Richard arrived; he was going to meet her there. I asked if I could take a picture of him, and he said no—he was very shy and had very long hair—but finally I did. A week or so later, we were driving around in Penny’s car and got a flat tire and ended up in a desert gas station, where we took pictures. Later that year, Richard told his new publicist, “Oh, Herb took a couple of rolls of me.” He had fairly well-known photographers shooting him already; it happened quickly for him. So I sent the negatives and forgot about it. What did I know? I wasn’t a photographer. Three months later, the pictures appeared in American “Vogue”, “Esquire”, and “Mademoiselle”. Big spreads. One day soon thereafter, “Mademoiselle” tracked me down and asked me to do Brooke Shields, and I said sure. I didn’t say I wasn’t a photographer.' "
Desiree Zenowich, The Iris, 10 augusti 2011