SKULPTUR, brons. Indien, tidigt 1900-tal.
För konditionsrapport kontakta specialist
Föreställande Shiva Nataraja dansande på den hjälplösa dvärgen som ligger på en lotustron upphöjd på en fyrkanting bas. Gudomens vänstra ben lyft och händerna utsträkta hållandes en damaru och en flammande lampa. Hårmssorna bär upp gudomen Ganga och bakom skulpturen en flammande aureole. Höjd 28 cm.
Slitage.
Proveniens
The Bengt and Lilavati Häger Collection of Indian Collection of Indian, Southeast Asian, Chinese and Japanese Art.
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Lilavati and Professor Bengt Häger’s art collection was culturally significant and vast. It is clear that it was founded on the couples cross cultural experiences. Lilavati was a leading exponent of Indian dance and Bengt one of the most important European Impresarios of his day.
Multitalented and highly regarded Bengt Häger (1916-2011) worked inexhaustibly throughout his life to promote dance as an independent art form and field of research. He founded and managed the Swedish Dance Museum, the University Collage of Dance and Circus in Stockholm. He worked actively to bring international guest performances from world leading dance companies. Organized international torus for Swedish dance companies such as the Cullberg Ballet, which he managed 1967-1987. He was the first to bring Peking Opera out of China after the revolution and was a great friend of the renowned Peking Opera singer Mai Lanfang.
For many years Mr Häger was the closest friend and collaborator of the famous Art Collector Rolf the Maré (1888-1964), founder of Ballet Suedois in Paris. Bengt was also involved with UNESCO and founded the Centre International de Dance.
Lilavati Devi (1925-2002). First came to Sweden as a principal performer of the dance company set up by Ram Gopal (1912-2003), the Nijinsky of India. Bengt and Lilavati married in 1954. She became an important ambassador of Indian Dance in Scandinavia. They couple came to inhabit a circle that included some of the major international dancers, performers and choreographers of the last Century.
Övrig information
The sculpture is symbolic of Shiva as the lord of dance and dramatic arts, with its style and proportions made according to Hindu texts on arts. It typically shows Shiva dancing in one of the Natya Shastra poses, holding Agni (fire) in his left back hand, the front hand in gajahasta or dandahasta mudra, the front right hand with a wrapped snake that is in abhaya (fear not) mudra while pointing to a Sutra text, and the back hand holding a musical instrument usually a damaru.His body, fingers, ankles, neck, face, head, ear lobes and dress are shown decorated with symbolic items, which vary with historic period and region. He is surrounded by a ring of flames, standing on a lotus pedestal, lifting his left leg (or in rare cases, the right leg) and balancing over a demon shown as a dwarf (Apasmara or Muyalaka) who symbolizes ignorance.
