Kan inte nå servern
Temaauktioner online
Barbie and friends E1136
Auktion:
Chinese Works of Art F512
Auktion:
Curated Timepieces – december F530
Auktion:
En formgivares värld E1138
Auktion:
Internationella modernister F601
Auktion:
Milić od Mačve 7 paintings F592
Auktion:
Helsinki Design Sale F612
Auktion:
Helsinki Spring Sale F613
Auktion:
Liveauktioner
Contemporary Art & Design 662
Auktion: 15−16 april 2025
Important Timepieces 663
Auktion: 15 april 2025
Modern Art & Design 664
Auktion: 20−21 maj 2025
Important Spring Sale 665
Auktion: 11−13 juni 2025
460
907978

FAT, porslin. Transition, 1600-tal. Hallmärke.

Utropspris
6 000 - 8 000 SEK
536 - 715 EUR
544 - 726 USD
Klubbat pris
9 500 SEK
Köpinformation
För konditionsrapport kontakta specialist
Cecilia Nordström
Stockholm
Cecilia Nordström
Ansvarig specialist asiatisk keramik och konsthantverk, äldre europeisk keramik samt glas
+46 (0)739 40 08 02
FAT, porslin. Transition, 1600-tal. Hallmärke.

Dekor i underglasyrblått av fåglar i blommande trädgård. Undersidan med hallmärket "笔花斋制" (Bihua Zhaizhi). Diameter 21,5 cm.

Litet nagg, slitage.

Proveniens

The Stenbeck Collection Part II.

The Stenbeck Collection Part II. The collection as a whole comprises a wide range of Chinese porcelain produced during the late Ming and early Qing dynasty for the domestic, Japanese and European markets. The collection concentrates on porcelain produced during the interregnum years between the two dynasties. But as an academic collector you can clearly see how he during the years has spanned it further ahead and dived backwards to fulfill the collection.

Mr Stenbeck is an active member of the Swedish Oriental Ceramics society and has been very generous with his knowledge about the transition period, and given numerous lectures of the interesting and often amusing and quixotic development of the free methods of expression, both in decoration and shapes that appears in this period.

The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name “The Liberated Brush”. This name alludes from the withdrawal of Court patronage and greater artistic freedom enjoyed by artisans as they responded to changing commercial pressures at a time of economic and political uncertainty in China.

Utställningar

The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name “The Liberated Brush”.