Ei yhteyttä palvelimeen
Online-teemahuutokaupat
Carl Oscar Borg – Depicter of the American West F582
Huutokauppa:
Franco Costa F574
Huutokauppa:
Classical Antiques F577
Huutokauppa:
Helsinki Winter Sale F504
Huutokauppa:
Selected Gifts E1128
Huutokauppa:
Curated Timepieces – November F529
Huutokauppa:
Josef Frank and Friends – Winter Edition F534
Huutokauppa:
Jern's Weapon Collection E1122
Huutokauppa:
308
1550564

Marie-Louise Ekman

(Ruotsi, Syntymävuosi 1944)
Lähtöhinta
80 000 - 100 000 SEK
7 070 - 8 840 EUR
7 240 - 9 050 USD
Vasarahinta
75 000 SEK
Kuuluu jälleenmyyntikorvauksen piiriin

Lain mukaan ostaja maksaa tästä taideteoksesta taiteilijapalkkion. Enimmäismaksu on 5 %. Mitä korkeampi myyntihinta, sitä pienempi prosenttiosuus. Lisätietoja tästä laista:

Taiteen jälleenmyyntikorvaus Suomen : Kuvasto
Taiteen jälleenmyyntikorvaus Ruotsissa: BUS

Tietoa ostamisesta
Kuvan käyttöoikeudet

Tämän tietokannan taideteokset ovat tekijänoikeudella suojattuja, eikä niitä saa kopioida ilman oikeudenhaltijoiden lupaa. Teokset kopioidaan tässä tietokannassa Bildupphovsrättin lisenssillä.

Lisätietoja ja kuntoraportit
Louise Wrede
Tukholma
Louise Wrede
Asiantuntija, nykytaide, Private Sales
+46 (0)739 40 08 19
Marie-Louise Ekman
(Ruotsi, Syntymävuosi 1944)

'Ett baby-monument och en Olle Baertling-tavla'

Signed M.L De Geer Bergenstråhle and dated 1980. Gouache on silk in artist's frame 40 x 31 cm.

Alkuperä - Provenienssi

Galerie Aronowitsch, Stockholm.
Private Collection.

Näyttelyt

Galerie Aronowitsch, Stockholm, 'Marie-Louise Ekman', 12 - 30 April 1980, cat. no. 6.

Kirjallisuus

Maria Lind, 'Svensk Nutidskonst 4: Marie-Louise Ekman', 1994, illustrated p. 16.

Muut tiedot

At the exhibition at Galerie Aronowitsch in Stockholm in 1980, Marie-Louise Ekman showed a series of remarkable paintings. Marie-Louise Ekman painted her figures and individuals placed on podiums - but always in front of different paintings by Olle Baertling.

"All works in the series have Olle Baertling's motifs as a background. So I simply placed my own figures, such as Picasso's ladies and my own children in the form of birds, on podiums in the paintings. If something is placed on a podium, it is somehow transformed into a sculpture. Like a memory of a past time."
Marie-Louise Ekman

The legendary gallerist William Aronovitsch and his gallery had a significant influence on Marie-Louise Ekman. In a sense, the gallery can be said to be a vital part of her artistic education and development.

"We had his gallery as a café after a work shift, very nice. There you could browse through his books and catalogues and I saw Baertling and the paintings in the warehouse. From the very beginning I was provoked. Non-figurative - I couldn't understand it! I started questioning William: "What do you like about this?" He explained. "It's not right what you're saying," I said.

Then he gave me a catalogue, which in those days was really nicely done. I looked at them regularly but didn't engage with them and came back. Like a riddle I couldn't figure out the answer to. Then one day I had the experience of a lifetime. One day I felt strongly that it was an image of thinking and could be an image from inside the brain. How a thought develops and how it represents something non-figurative that cannot be captured in any other way than non-figurative. It was breathtaking.

Then I wanted to see more and more and more. I got high. Like leaps of thought and movements of thought. Then it was fun to have them as a kind of space that my figures could move around in. Instead of city rooms or rooms in a house, I made a room out of his painting. I was sure to emphasise in each painting that it was Olle Baertling's painting. All paintings exist, I haven't invented any. But it's my colours that try to resemble his, but I haven't measured them. I painted them in my own way. After that I also did Mondrian and Picasso, but I only had black and white books."

The quote is taken from a conversation between Marie-Louise Ekman and Paulina Sokolow from spring 2014. The painting in the auction is one of the paintings shown at Galerie Aronowitsch's famous exhibition in 1980.

One of Marie-Louise Ekman's "Baertling paintings" from 1980, "A Dalí Monument, a Picasso Monument and an Olle Baertling Painting", is part of the Moderna Museet collection (Ref no. MOM/2017/56).