Ei yhteyttä palvelimeen
Online-teemahuutokaupat
Systembolaget Wine and Spirits auction D066
Huutokauppa:
An Artist's Home F651
Huutokauppa:
Selected Finnish Classics F630
Huutokauppa:
Scandinavian Modern F606
Huutokauppa:
Selected Sculptures Spring F625
Huutokauppa:
Fashion April Edition E1161
Huutokauppa:
Gideon Börje F654
Huutokauppa:
Glass Artist Tiina Nordström E1184
Huutokauppa:
Helsinki Design Sale F612
Huutokauppa:
Live-huutokaupat
Contemporary Art & Design 662
Huutokauppa: 15.−16. huhtikuuta 2025
Important Timepieces 663
Huutokauppa: 15. huhtikuuta 2025
Modern Art & Design 664
Huutokauppa: 20.−21. toukokuuta 2025
Important Spring Sale 665
Huutokauppa: 11.−13. kesäkuuta 2025
1112
1520741

A massive Chinese famille rose 'mille fleur' dish, 20th Century.

Lähtöhinta
4 000 - 6 000 SEK
380 - 570 EUR
399 - 599 USD
Vasarahinta
32 000 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
+46 (0)739 40 08 02
A massive Chinese famille rose 'mille fleur' dish, 20th Century.

Decorated with flowers in brilliant enamels of yellow, green, lavender, and magenta with a dense bouquet of mixed flowers including chrysanthemum, hydrangea, pink, peony, magnolia, lotus, and lingzhi, all blooming against a ground of thick foliage in several tones of green. The reverse with floral sprigs and a seal mark in red. Diameter 52 cm.

Wear.

Kirjallisuus

The dense arrangement of various flowers decorating this vase is known as wanhuajin (myriad flower brocade), as well as baihuadi (ground of one hundred flowers), and, according to T. T. Bartholomew in Hidden Meanings in Chinese Art, Asian Art Museum of San Francisco, 2006, p. 146, during the Qing dynasty the design conveyed the hope that the Qing dynasty "would last as long as flowers continue to bloom."

Muut tiedot

The 'mille fleur' decoration, meaning the "thousand flowers design" first appears in the late Yongzheng period - and becoming extremely popular during the Qianlong era, and was carried on throughout the Qing dynasty and well in to the Republic period.

The design is thought to symbolize "all the flowers bestow their blessings".