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Simon Gate

(Ruotsi, 1883-1945)
Lähtöhinta
35 000 - 40 000 SEK
3 130 - 3 580 EUR
3 180 - 3 630 USD
Vasarahinta
70 000 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Jonatan  Jahn
Tukholma
Jonatan Jahn
Vastaava asiantuntija, nykyaikainen ja moderni design
+46 (0)703 92 88 60
Simon Gate
(Ruotsi, 1883-1945)

& Erik Tidstrand, a ceiling lamp, model "26268 / GD. 5.", Nordiska Kompaniet and Orrefors, executed ca 1926.

Stem in nickel-plated metal designed by Erik Tidstrand for Nordiska Kompaniet, shade and stem covered in blue glass with cut decoration, designed by Simon Gate and manufactured at Orrefors, height ca. 70 cm, diameter ca. 49 cm.

Insignificant chips. Recently rewired.

Kirjallisuus

Depicted in the Nordiska Kompaniets Archive in 1926.
Depicted in "Boet: månadsskrift för hemkultur, hantverk och konstindustri, Boet, Göteborg, 1929."

Muut tiedot

A unique collection of lighting fixtures from Nordiska Kompaniet

Alongside Nordiska Kompaniet’s (NK) renowned furniture department led by Axel Einar Hjorth, there existed a thriving lighting department that is relatively unknown today. This fall, Bukowskis will share the story of NK’s lighting department, which held a prominent position during Sweden’s golden age of design from the 1920s to the 1950s. They created fixtures for various important interiors and exhibitions of the time. Nordiska Kompaniet is an integral part of Swedish design history. The brand was founded in 1902, and merely two years later, in 1904, NK’s factories were established in Nyköping. These factories played a pivotal role in the company’s success, contributing to the renowned quality that would define NK’s reputation. Employing around 500 workers, the factories became the largest industry in Nyköping. In NK’s factories, a wide range of fixtures, including custom-made and mass-produced options, were designed by the company’s leading lighting architects, including Erik Tidstrand, Bertil Brisborg, Olle Elmgren, and others. In addition to creating fixtures for department stores, they were also involved in prestigious interior design projects, producing lighting fixtures for significant locations like Stockholm City Hall, the Concert Hall, the American Line flagship M/S Kungsholm, Tändstickspalatset, as well as renowned restaurants, theaters, and cinemas. The collection being presented at Modern Art + Design spans from the 1920s to the 1950s and exemplifies distinctive styles of the era, such as Swedish Grace and Swedish Modern.

NK’s lighting department - a hidden treasure

NK’s lighting department quickly rose to become a pioneering fixtures company in Sweden, ushering in a new era of innovative designs and modern aesthetics. These fixtures were prominently displayed on the third floor, while a small workshop for manufacturing and assembly of lamps was also located within the department store. In the 1920s, Nordiska Kompaniet initiated a collaboration with Orrefors, the leading art glass manufacturer of the time. NK’s architects, Erik Tidstrand and Olle Elmgren, partnered with Orrefors’ designers, Simon Gate and Edward Hald, to create exclusive lighting fixtures for public spaces, as well as for NK’s and Orrefors’ own product lines. This collaboration led to a range of fixtures, including those for the Concert Hall in Stockholm and M/S Kungsholm, among others. Orrefors was responsible for crafting the glass details and shades, while Erik Tidstrand and his team at NK designed and constructed the fixtures. These were then produced in the metal factories in Nyköping.

Suunnittelijat

Simon Gate was a Swedish glass artist, painter, and designer. After studying at the Academy of Arts, he started working at the Orrefors glass factory. Together with the glass artist Edward Hald, he contributed to the glass factory's first international success. From 1916, Simon Gate produced the so-called ’graal’ glass, which master blower Knut Bergqvist further developed from cameo glass. Today, the graal glass pieces from Orrefors are among the most sought-after pieces of art glass among Swedish collectors. Together with Knut Bergqvist, he also created the so-called ’slottsglas’ which have received much attention recently. Simon Gate also became famous for his engraving compositions on the glasses, which were decorated with, among other things, processions and dancing women.

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