Ei yhteyttä palvelimeen
1113
1469203

A bronze censer in the shape of a buddhist lion, Ming dynasty (1368-1644).

Lähtöhinta
4 000 - 6 000 SEK
358 - 537 EUR
366 - 549 USD
Vasarahinta
30 000 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
+46 (0)739 40 08 02
A bronze censer in the shape of a buddhist lion, Ming dynasty (1368-1644).

Standing stout on four legs, Height 16 cm. Weight 530 gram.

Wear. Hole/burst to the shoulder.

Alkuperä - Provenienssi

From the Ankarcrona Collection. The foundation of the collection was laid by Rear Admiral/Flag officer Sten Ankarcrona (1861-1936). Ankarcrona first got a taste for the Asian Art while following his fathers’s footsteps serving as ‘enseigne de vaisseau’ for the French navy “la Royale” during the years 1885-1889, when his Fregatt sailed in the area. Ankarcrona continued to ad on to the collection, later in life when he was sent on a special mission to Japan in 1923. He brought back vast collections of lacquer, bronzes, textiles, ceramics.

In 1911 the family moved to the mansion like duplex next to Sturegatan in Stockholm. The elegant home and their summer house at Brevik by Erstaviken where Ankarcrona created a Japanese garden (1923-27) and even set up a complete Japanese building was documented in the the magazine 'Svenska Hem i ord och bild' in 1928, which provide us with a fascinating window into this golden age of European collecting. The world renowned collection received many prestigious visitors throughout the years, the guest book contains signature of both the Swedish king Gustav VI Adolf as well as the Japanese crown prince, later Emperor Akihito.

Stens son Sten S:son Ankarcrona (1904-1981, continued the tradition of collecting, amongst other things Swedish 18th Century furniture and art, pieces that worked well with family heirlooms from the Bergenstråhle, Bohnstedt, Cassel, Mörner and Lybecker families. Thence by descent.

Kirjallisuus

Arts from the Scholar's studio, the Oriental Ceramics Society of Hong Kong, 1986. page 232. It is not known when this type of censer was first created. But one sees them depicted on porcelain. The idea is that the smoke of the incense is to come out through the mouth.. as if breathing smoke.