Carl Malmsten
Tietoa ostamisesta
Kuvan käyttöoikeudet
Tämän tietokannan taideteokset ovat tekijänoikeudella suojattuja, eikä niitä saa kopioida ilman oikeudenhaltijoiden lupaa. Teokset kopioidaan tässä tietokannassa Bildupphovsrättin lisenssillä.
Lisätietoja ja kuntoraportit
a pair of armchairs, Swedish Grace, Svenska Möbelfabrikerna Bodafors, 1920s,.
Stained birch, blackened back rests, black wool textile seats, height 85 cm, seat height 43 cm.
The seats reupholstered.
Näyttelyt
This model pictured from Prince Gustaf Adolf's office, Riksvarumässan in Gothenburg 1922-23 and the Triennale Milan 1925.
Kirjallisuus
Svenska slöjdföreningens tidskrift: organ för konstindustri, handtverk och hemslöjd, Svenska slöjdföreningen, Stockholm, 1921.
And picture from The Svenska Slöjdföreningen, Archive.
Muut tiedot
This model was part of the competion arranged by "Svenska Möbelfabrikerna" 1922.
Suunnittelijat
Carl Malmsten is one of Sweden's most famous furniture designers. Many of his furniture are considered modern design classics, for example, the cane chair "Lilla Åland", the armchair "Farmor", the sofa "Samsas", the cabinet "Herrgården", and the furniture series "Vardag".
Both "Lilla Åland" and "Vardag" adopted the ideals of "beautiful everyday goods" of the 1940s. Their neat shape and frugal design quickly became timeless interior details that we still see in many homes today.
At the beginning of his career, Malmsten interned at various carpentry workshops and studied furniture at Nordiska museet and Skansen. He had his breakthrough in 1916 when he was commissioned to design part of the interior of Stockholm's City Hall.
During his career, Malmsten collaborated with several architects, such as Ragnar Östberg, Ivar Tengbom, and Ferdinand Boberg. He designed furniture for Stockholm's concert hall and Ulriksdal castle. He participated in the now iconic hosing exhibition at Liljevalchs gallery in 1917, where the term "Beautiful everyday goods" was coined.
