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A red Chinese lacquer vase, Qing dynasty, 19th Century.

A red Chinese lacquer vase, Qing dynasty, 19th Century.A red Chinese lacquer vase, Qing dynasty, 19th Century.
A red Chinese lacquer vase, Qing dynasty, 19th Century.A red Chinese lacquer vase, Qing dynasty, 19th Century.
A red Chinese lacquer vase, Qing dynasty, 19th Century.A red Chinese lacquer vase, Qing dynasty, 19th Century.
A red Chinese lacquer vase, Qing dynasty, 19th Century.A red Chinese lacquer vase, Qing dynasty, 19th Century.
A red Chinese lacquer vase, Qing dynasty, 19th Century.A red Chinese lacquer vase, Qing dynasty, 19th Century.
A red Chinese lacquer vase, Qing dynasty, 19th Century.A red Chinese lacquer vase, Qing dynasty, 19th Century.
A red Chinese lacquer vase, Qing dynasty, 19th Century.A red Chinese lacquer vase, Qing dynasty, 19th Century.
A red Chinese lacquer vase, Qing dynasty, 19th Century.
A red Chinese lacquer vase, Qing dynasty, 19th Century.
A red Chinese lacquer vase, Qing dynasty, 19th Century.
A red Chinese lacquer vase, Qing dynasty, 19th Century.
A red Chinese lacquer vase, Qing dynasty, 19th Century.
A red Chinese lacquer vase, Qing dynasty, 19th Century.
A red Chinese lacquer vase, Qing dynasty, 19th Century.
Lähtöhinta
4 000 - 6 000 SEK
358 - 537 EUR
366 - 549 USD
Vasarahinta
46 000 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
+46 (0)739 40 08 02
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A red Chinese lacquer vase, Qing dynasty, 19th Century.

Rectangular baluster shape, leaf shaped handles, cut decoration of a lotus scroll, central medallion with four bats in green stone surrounding a sign for happiness. Height 29.5 cm.

Damages, loss of green stone inlay.

Alkuperä - Provenienssi

From the Collection of Gösta Thames (1916-2006). Thence by descent.

Gösta Thames is well known in design circles as the designer of the Ericofon, also called ”the Cobra”, designed for L.M. Ericsson. The model was presented in 1953.

Gösta Thames was employed in 1938 as an engineering apprentice at Ericsson. Gösta Thames was appointed to lead development work for the Ericofon, as the one-piece phone was called.
That he was fascinated with beautiful things is well known, but not many knew about his passion for Asian Art. He had from an early age a fascination with aesthetics and beauty of the Asian Art. He was a true academic collector and catalogued his collection and discussed the pieces with his friend Dr Bo Gyllensvärd, (director of the East Asian Museum in Stockholm 1959-1981. Head of Gustaf VI Adolf Asian Collection 1955-1973.)