Ei yhteyttä palvelimeen
Online-teemahuutokaupat
Systembolaget Wine and Spirits auction D066
Huutokauppa:
Curated Timepieces March F584
Huutokauppa:
Arts of Asia – Spring edition F638
Huutokauppa:
Prints & Multiples Spring Edition F640
Huutokauppa:
Jazz Legends E1180
Huutokauppa:
An Artist's Home F651
Huutokauppa:
Selected Finnish Classics F630
Huutokauppa:
Scandinavian Modern F606
Huutokauppa:
Selected Sculptures Spring F625
Huutokauppa:
Live-huutokaupat
Contemporary Art & Design 662
Huutokauppa: 15.−16. huhtikuuta 2025
Important Timepieces 663
Huutokauppa: 15. huhtikuuta 2025
Modern Art & Design 664
Huutokauppa: 20.−21. toukokuuta 2025
Important Spring Sale 665
Huutokauppa: 11.−13. kesäkuuta 2025
660
1359182

Philip Alexius De Laszlo

(Unkari, 1896-1937)
Lähtöhinta
40 000 - 50 000 SEK
3 800 - 4 750 EUR
3 990 - 4 990 USD
Vasarahinta
36 000 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Johan Jinnerot
Tukholma
Johan Jinnerot
Asiantuntija taide ja vanhempi maalaustaide
+46 (0)739 400 801
Philip Alexius De Laszlo
(Unkari, 1896-1937)

A portrait of Heinrich Kautsch

Signed László and dated Paris 1891. Canvas 47 x 33 cm. We thank Ms. Katherine Field from The de Laszlo Archive Trust, London, for information regarding this work.

Alkuperä - Provenienssi

Private Collection.

Muut tiedot

Katherine Field skriver: "We believe that this is a very early work from his time in Paris in 1891. His closest friends while studying at the Académie Julian were Otto Friedrich and Heinrich Kautsch who he had met in Munich."

László wrote in his autobiography:

“Most of my evenings I spent in the company of two Austrian friends, Friedrich and Kautch, who I had known in Munich. Friedrich was about ten years older than I and painted historical pictures. Kautsch was a talented Austrian medallist, who had already made a reputation in Paris. Their milieu had exactly the spirit I liked. Both were musical and played the piano, and I used to sing.” (Rutter, p. 68)

Kautsch worked on a small scale and although he had many good qualities he was inclined to be mean, and often malicious and even jealous. His studio was crowded with every conceivable object. There was too much of everything, and it lacked harmony as much as he did himself.” (p. 69)