Ei yhteyttä palvelimeen
Online-teemahuutokaupat
Ceramic design by Kyllikki Salmenhaara E1118
Huutokauppa:
Carl Oscar Borg – Depicter of the American West F582
Huutokauppa:
Franco Costa F574
Huutokauppa:
A Worldwide Private Collection F579
Huutokauppa:
Japanese Prints & Works of Art F511
Huutokauppa:
Classical Antiques F577
Huutokauppa:
Helsinki Winter Sale F504
Huutokauppa:
Live-huutokaupat
Modern Art & Design 660
Huutokauppa: 19.−20. marraskuuta 2024
Important Winter Sale 661
Huutokauppa: 11.−13. joulukuuta 2024
360
1349864

A Russian porcelain Easter Egg, 19th Century, presumably Imperial porcelain manufactroy, St Petersburg.

Lähtöhinta
8 000 - 10 000 SEK
707 - 883 EUR
729 - 911 USD
Vasarahinta
17 000 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
+46 (0)739 40 08 02
A Russian porcelain Easter Egg, 19th Century, presumably Imperial porcelain manufactroy, St Petersburg.

Painted and gilded decoration with medallions with floral bouquets, bound togheter with garlands of flowers. Height 10,5 cm.

Wear.

Alkuperä - Provenienssi

The private Collection of Nils Nessim (1916-1974), thence by descent.

Nils Nessim (1917-1974), was a Swedish businessman and carpet dealer, son of the Director and Carpet specialist Jean B Nessim (1887-1946). In 1942 he founded AB Nils Nessim in 1942, he expanded and in the 1960’s he founded Nils Nessim International and Nils Nessims Antiques. Nils were early schooled in the carpet business by his father, and went on many business trips to aquire carpets and goods for the stores. He travelled the world and built up an impressive collection of Antiques and Asian Works of Art alongside the carpet business. In 1959 he became the first westener to be allowed to export antiques from China. He is well known for his collection of Russian Easter Eggs, and at one point he is said to have had over 1000 of them.

Kirjallisuus

During the second quarter of the nineteenth century, a number of virtuoso porcelain painters specialising in floral decoration worked for the Imperial porcelain factory, such as A. and I. Tychagin, K. and F. Krasovsky and others. The designs were based on close observation of nature: the artists were regularly sent to botanic gardens to study the plants. Models for copying were also provided by engravings in botanical atlases.