Ei yhteyttä palvelimeen
Online-teemahuutokaupat
Barbie and friends E1136
Huutokauppa:
Chinese Works of Art F512
Huutokauppa:
Curated Timepieces – December F530
Huutokauppa:
A Designer's World E1138
Huutokauppa:
International Modernists F601
Huutokauppa:
Milić od Mačve 7 paintings F592
Huutokauppa:
Helsinki Design Sale F612
Huutokauppa:
Helsinki Spring Sale F613
Huutokauppa:
Live-huutokaupat
Contemporary Art & Design 662
Huutokauppa: 15.−16. huhtikuuta 2025
Important Timepieces 663
Huutokauppa: 15. huhtikuuta 2025
Modern Art & Design 664
Huutokauppa: 20.−21. toukokuuta 2025
Important Spring Sale 665
Huutokauppa: 11.−13. kesäkuuta 2025
613
1144158

A box with cover, presumably Qing dynasty (1664-1912) with Qianlong mark.

Lähtöhinta
6 000 - 8 000 SEK
536 - 715 EUR
544 - 726 USD
Vasarahinta
350 000 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
+46 (0)739 40 08 02
A box with cover, presumably Qing dynasty (1664-1912) with Qianlong mark.

Decorated in relief with five clawed dragons amidst cloud formations chasing the flaming pearl. Diameter 28,5 cm.

Chips, wear, repair, retouches, cracks, surface dirt. The interior colour of the box and cover differs a bit. Base could be later.

Täydennyslista

Base could be later.

Alkuperä - Provenienssi

From the Collection of Erik Holmberg, thence by descent. Bankdirektör Erik Holmberg was born in 1888 (died 1972), married to Ester Holmberg (?-1955). Erik Holmberg made a career at Svenska Handelsbanken and worked there as a Bank Manager up until his pension. He grew up in Trysil, Norway which came to make an impact upon him and he continued to enjoy nature, skiing and hiking throughout his life. He and his beloved wife Ester lived in a villa at Lidingö, Stockholm where he also kept his wooden sailboat Albertina.

Erik early on became fascinated with Asian Art, and was a true academic collector who had a curiosity and strive to learn more about the subject all the time, this is clearly visible in his catalogue cards about his pieces, all his letters to museum directors, dealers and other collectors and members of the China club at the time.

Set a part from his attraction to the Asian art he also collected Swedish contemporary ceramics from Stig Lindberg, Wilhelm Kåge and Bertil Friberg.

He was an active member of the Östasiatiska Museets vänner and he donated several of his contemporary Chinese paintings to the Museum of Far Eastern Antiquities in Stockholm.