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A Wucai Transitional jar, 17th Century.

A Wucai Transitional jar, 17th Century.A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.
A Wucai Transitional jar, 17th Century.
Lähtöhinta
18 000 - 20 000 SEK
1 690 - 1 880 EUR
1 820 - 2 030 USD
Vasarahinta
18 000 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
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A Wucai Transitional jar, 17th Century.

Painted in under glaze blue with over glaze polychrome enamels. The rim has a peony and rock border above a scene depicting a figure playing a stringed instrument on a terrace, with two additional figures nearby. There is a seven character inscription on the body of the vase. Height 16,5 cm

Rimcrack.

Alkuperä - Provenienssi

Purchased: Lyon & Turnbull, Edinburgh, June 2005, Lot 101.

The Avalon Collection.

This collection, which in the main focuses on the Interregnum and Kangxi periods has been both carefully and sensitively formed over the last twenty-five years. The collector, a member of the English Oriental Ceramic Society, has assembled the collection with an eye for provenance whilst purchasing from old European collections, well-established antique dealers and at auction.

Academically, the pieces have been well researched both in terms of their symbolism and narrative themes. In many instances the imagery on the pieces has been referenced to episodes in the romantic and historic novels of Chinese mythology, which were used extensively in the decoration of seventeenth century Chinese porcelain.