Ei yhteyttä palvelimeen
Online-teemahuutokaupat
Systembolaget Wine and Spirits auction D065
Huutokauppa:
Björn Weckström 90 years E1167
Huutokauppa:
Curated Timepieces F583
Huutokauppa:
A Private Collection of Gibson Guitars E1156
Huutokauppa:
Erik Chambert – Geometric Art F591
Huutokauppa:
Japanese Prints and Works of Art F594
Huutokauppa:
Swedish Modern Lighting – February Edition E1140
Huutokauppa:
Selected Silver F598
Huutokauppa:
Shadows & Silhouettes E1166
Huutokauppa:
Live-huutokaupat
Contemporary Art & Design 662
Huutokauppa: 15.−16. huhtikuuta 2025
Important Timepieces 663
Huutokauppa: 15. huhtikuuta 2025
Modern Art & Design 664
Huutokauppa: 20.−21. toukokuuta 2025
Important Spring Sale 665
Huutokauppa: 11.−13. kesäkuuta 2025
473
909079

A 'Vung Tau Cargo dish and box with cover, 17th Century, circa 1690.

Lähtöhinta
4 000 - 6 000 SEK
368 - 551 EUR
376 - 564 USD
Vasarahinta
3 500 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
+46 (0)739 40 08 02
A 'Vung Tau Cargo dish and box with cover, 17th Century, circa 1690.

Diameter 9,5-19 cm.

Chip, Firingdefect. Wear to glaze.

Alkuperä - Provenienssi

The Stenbeck Collection Part II.

The Stenbeck Collection Part II. The collection as a whole comprises a wide range of Chinese porcelain produced during the late Ming and early Qing dynasty for the domestic, Japanese and European markets. The collection concentrates on porcelain produced during the interregnum years between the two dynasties. But as an academic collector you can clearly see how he during the years has spanned it further ahead and dived backwards to fulfill the collection.

Mr Stenbeck is an active member of the Swedish Oriental Ceramics society and has been very generous with his knowledge about the transition period, and given numerous lectures of the interesting and often amusing and quixotic development of the free methods of expression, both in decoration and shapes that appears in this period.

The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name “The Liberated Brush”. This name alludes from the withdrawal of Court patronage and greater artistic freedom enjoyed by artisans as they responded to changing commercial pressures at a time of economic and political uncertainty in China.

Näyttelyt

The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name “The Liberated Brush”.