Two blue and white dishes, Ming dynasty, Tianqi (1621-27).

Interview with the Collector Mr Stenbeck;
-The Kraak porcelain captured my interest over 50 years ago. The Kraak goods has their own identity feature with the more liberated brushwork that gives you a heightened sense of presence. The brilliant surface creates a magic lure and depth. The cobalt blue colour can shift from the darkest blue to light silvery nuances, as does the brushwork, it varies from large fluent strokes to very fine and precise lines. The depth in colour often reflects the access of the cobalt pigment at the time. It is also interesting to see how the porcelain mass shifts in the later production, during the late Ming/Transitional period (1621-1644) this has led to less brittle edges. My collection that had its focus on this precise period in time, also known as the ‘liberated brush’ was sold at Bukowskis and Bonhams a few years ago. My feeling is that the typical kraak dishes with decorated rims a and a central scene in the middle envisions Chinese culture, harmony and fashion of the time. In this part of my collection, that will be sold at Bukowskis Spring Sale 2022, I have chosen to let go of some of my faience’s (sold in the european ceramic section) that shows the influence and inspiration the Chinese porcelain had on the Delft production of faience’s during the same period. The Chinese porcelain also influenced the Persian and Japanese production. - I wish You all good luck with your collecting, and hope you enjoy the pieces from my collection!