Ei yhteyttä palvelimeen
Online-teemahuutokaupat
Ceramic design by Kyllikki Salmenhaara E1118
Huutokauppa:
Carl Oscar Borg – Depicter of the American West F582
Huutokauppa:
Franco Costa F574
Huutokauppa:
A Worldwide Private Collection F579
Huutokauppa:
Japanese Prints & Works of Art F511
Huutokauppa:
Classical Antiques F577
Huutokauppa:
Helsinki Winter Sale F504
Huutokauppa:
Selected Gifts E1128
Huutokauppa:
1652
194103

A large blue and white 'boys' jar, Ming dynasty, Jiajing´s six characters mark and of the period (1522-1566).

Lähtöhinta
500 000 - 800 000 SEK
44 200 - 70 700 EUR
45 200 - 72 400 USD
Vasarahinta
1 075 000 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
+46 (0)739 40 08 02
A large blue and white 'boys' jar, Ming dynasty, Jiajing´s six characters mark and of the period (1522-1566).

The large guan finely painted with a scene of boys in various activities, impersonating a high official flanked by adviser in audience and a kneeling subject, another riding a hobby horse and attendant carrying a lotus-leaf parasol, a group playing cards, and another riding a toy cart, all within a terraced garden. Diameter 38, height 30,5 cm.

Rim grounded, firing crack to base.

Alkuperä - Provenienssi

Emil Hultmark´s Collection.

Näyttelyt

Royal Academy, Stockholm 1942, no 382, plansch 26. Nationalmuseum, Stockholm, Chinese Exhibition 1928.

Kirjallisuus

The Tsui Museum of Art, 1991, pl. 80. A jar from the Osaka museum without its cover is illustrated in Ming and Qing Ceramics of Art; another in the Museum of decorative Arts, Copenhagen, is illustrated by Lion-Goldschmidt in La Porcelaine Ming, a third in Chinese ceramics in the Idemitsu collection, and a fourth in the Jiangxi Fengchengxian Bowuguan is illustrated in Zhongguo Wenwu Jinghua Da Cidian, no 766, p. 393.

Muut tiedot

The 'boys' theme was popular in Sothern Song paintings, particularly those of small children at play by the Academic painter, Su Hanchen. Them imagery was particularly pertinent in later periods since it was good augury for the emperor to produce male heirs.