Esaias Thorén
Covered by droit de suite
Image rights
The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.
For condition report contact specialist
"Improvisation"
Signed E.Thorén and dated 1938. Canvas 45 x 55 cm.
Provenance
Owned by the Danish surrealist Wilhelm Freddie.
Thence in the collection of professor Marcus Diamant. Thence by descent to the current owner.
Exhibitions
Norrköpings konstmuseum, "Halmstadgruppens 30-tal, 27 September - 16 November 1986.
Liljevalchs Konsthall, Stockholm, "Halmstadgruppen 60 år", 1989.
Literature
Viveka Bosson, "Hamstadgruppen. A force in 20th century Swedish art", 2009, illustration nr. 6.
Pontus Hultén m.fl., "Halmstadgruppen 50 år", Stiftelsen Halmstadgruppen, 1978/79, p.193.
Folke Holmér, Erik Lindegren, Egon Östlund, "Halmstadgruppen", Rabén & Sjögren, Stockholm, 1947, illustration no 97.
More information
"The painting is a frozen image of a woman who has stiffened into a Magritte-like cloud cube. The shell - a symbol of eternity - crumbles in her hair. The egg, a symbol for life, Thorén has wittily turned into a boiled egg in an eggcup. The painting is a surrealistic - and slightly ironic - portrait of the painter's first wife, Greta, who is tragically disappearing from his life."
From: Viveka Bosson, "Hamstadgruppen. A force in 20th century Swedish art", 2009.