J. Prip-Möller, Chinese Buddhist Monastaries, Gads förlag, Copenhagen 1937. Selections from the works of Su Tung-P'o, Jonatan Cape, London 1931. L. Jisl, Sis. J. Vanis. L'Art Tibetain. Artia Prague, 1958. Thomas Dexel, Die Formen Chinescher Keramik, Verlag Ernst Wasmuth Tubingen, 1955. Lilla S Perry, Chinese Snuff Bottles, The adventures & studies of a Collector, 1960. Der Holzschneider und Bilddrucker du Chêng Yen, Holbein Verlag, Basel. Masterpieces of Chinese Painting, Lin Tsiu-Sen. Eight Facsimile Preproduction. Zurich, MCMXLVII. Osvald Siren, Billeder fra Kina. Gyllendalska Boghandel, Köpenhamn, 1937. Ernst Diez, Shan Shui, Die Chinesische Landschaftsmalerei, Wien, 1943. Osvald Siren, Kinas Trädgårdar och vad de betytt för 1700-talets Europa. Stockholm 1948. Schuyler Cammann, The Land of the Camel, Tents and Temples of Inner Mongolia, New York, 1950. Otto Fischer, Kunst des fernen Ostens, Bern, 1947. H F E Visser, Asiatic Art in private collections of Holland and Belgium. Amsterdam, 1948. Collection Pierre Barboutau, 2 volumes, L'Hotel Drouot, Limited edition. This is no 541. Paris 1904.
Ej genomgångna, säljes i befintligt skick. (13)
The Collection of Poul Nortung (1905-1973).
The Manufacturer Poul Nortungs passion for Chinese and Japanese Works of Art started at an early age, influenced by his father, master bookbinder Frederik Nortung, who collected Oriental Ceramics, Literature and Works of Art. He himself started to expand the family collection during the years 1935-1950. Poul Nortung owned a Danish metal company known as LUXOR. The antiques in his collection were often acquired in London, Paris and Germany, or through his friend, the antique dealer Canova Skånstrom.