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Marino Marini

(Italia, 1901-1980)
Lähtöhinta
300 000 - 350 000 SEK
26 700 - 31 100 EUR
27 200 - 31 800 USD
Vasarahinta
330 000 SEK
Kuuluu jälleenmyyntikorvauksen piiriin

Lain mukaan ostaja maksaa tästä taideteoksesta taiteilijapalkkion. Enimmäismaksu on 5 %. Mitä korkeampi myyntihinta, sitä pienempi prosenttiosuus. Lisätietoja tästä laista:

Taiteen jälleenmyyntikorvaus Suomen : Kuvasto
Taiteen jälleenmyyntikorvaus Ruotsissa: BUS

Tietoa ostamisesta
Kuvan käyttöoikeudet

Tämän tietokannan taideteokset ovat tekijänoikeudella suojattuja, eikä niitä saa kopioida ilman oikeudenhaltijoiden lupaa. Teokset kopioidaan tässä tietokannassa Bildupphovsrättin lisenssillä.

Lisätietoja ja kuntoraportit
Amanda Wahrgren
Tukholma
Amanda Wahrgren
Asiantuntija, moderni taite ja grafiikka
+46 (0)702 53 14 89
Marino Marini
(Italia, 1901-1980)

Cavallo

Signed Marini and dated 1949. Mixed media on paper panel 32 x 23 cm. Registrated at the Fondazione Marino Marini with numberr 827, certificate included.

Alkuperä - Provenienssi

Swedish private collection.

Muut tiedot

Marino Marini was born in 1901 in Pistoia, Italy, and was highly influenced by his Tuscan roots. Although Marini began his artistic career as a painter and printmaker, because he was so internationally celebrated as a sculptor it took a long time before he was recognized as a painter. In an interview Marini stated how the need to paint, as well as the desire to seek colour, was something he was born with. In his painting he brilliantly demonstrates this relationship to and feeling for colour. Marini’s paintings and sculptures are unique and distinct from each other, however they largely explore the same central theme, and show a mythological world populated by acrobats, dancers, studies of women and riders on their horses. As a child Marini was already fascinated by the relationship between the horse and the rider and this became a dominant subject in his artistic practice.
Today Marino Marini is above all famous for his stylized paintings of horses and for his sculptures. Marini considered the horse, with its vital energy, as a symbol for nature. In Marini’s work painting, sculpture, print and portrait all co-exist in harmony with each other. By skillfully uniting an Etruscan style with the modern, Marini’s work acquires an aura of timelessness.