A Swedish Gustavian Giltwood Mirror, Lago Lundén (master in Stockholm 1773-1819)
Gilded and bronzed. Decorated with a pearl band and leaf cut. Straight crest with a light-painted field featuring a medallion with a woman playing the lyre. Signed with Lundén's round colour stamp and with the Stockholm hallmark from 1794. 133 x 58 cm.
Restored. Later mirror glass. Minor colour loss. Cracks.
The Gustavian era fell between 1775 and 1810. The furniture then takes on, in contrast to Rococo, a more restrained contour. The legs become straighter and tapered, the colours become softer in mostly grey-green and grey-blue tones. Typical to the Gustavian time is intarsia, inlays with medallions and classical borders. The chairs backrests are often straight spindles or a curved bundle of spindles, with the finer chairs have a padded back with a rosebud decoration at the top. A significant detail is the flower, "fleuron", which is often found in corner ornaments, leaf scroll decoration, and festoons of leaves, flowers, or fruits. Between the years of 1785-1810 is commonly known as the late-gustavian era and is known for its rigid clacissism. Rich intarsia decoration was replaced by smooth, dark mahogany with elegant brass fittings and moldings.
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