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1440658

Marie-Louise Ekman

(Sweden, Born 1944)
Estimate
40 000 - 50 000 SEK
3 490 - 4 360 EUR
3 650 - 4 560 USD
Hammer price
100 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Karin Aringer
Stockholm
Karin Aringer
Specialist Photographs and Contemporary Art
+46 (0)702 63 70 57
Marie-Louise Ekman
(Sweden, Born 1944)

Untitled

Signed M.L De Geer Bergenstråhle and dated 1979. Oil on canvas 22.5 x 27.5 cm.

Provenance

Svensk-Franska Konstgalleriet, Stockholm.
Bukowski Auktioner AB, auction 570, 2012, cat no. 281.
Tom Böttiger Collection, Stockholm.

Exhibitions

Moderna Museet, Stockholm, "Marie-Louise Ekman", 17 June - 17 September, 2017.
CF Hill, Stockholm, "Samling Tom Böttiger, Part I", 26 September - 15 November 2019.

Literature

Moderna Museet, Stockholm, exhibition catalogue, Marie-Louise Ekman, 2017, illustrated full-page p. 37.

More information

The auction's painting by Marie-Louise Ekman is a brilliant example of her highly personal surrealism: colorful, every day life, boundless, and humorous.
The 1971 painting contains clear references to the surrealist Salvador Dalí. His iconic work 'The Riddle of Wilhelm Tell' was added to Moderna Museet's collection in 1967. Dalí painted the work in 1933 and the motif is full of references to his time. A human-like figure with a large growth from one of the buttocks dominates the painting, a motif that in Ekman's work has been transferred to his own home. The woman is looking for herself in the reflection; she is moving away from the man on the other side of the painting. Her two extra legs are clenched tightly together, clearly signaling that she is not interested in his invitation. The man, as so often in Ekman's work, has an expressionless face. He sits on a stool and smokes, wearing an outfit reminiscent of both Starke Adolf's tights and Picasso's circus performers.
Ekman experimented with Dalí's painting in a more obvious way a few years later in her career, when she (in the spirit of the times) appropriated the work of other artists. She produced a number of paintings with titles such as 'A Salvador Dali Man and an Olle Baertling Painting' (1980) and 'A Dali Monument, a Picasso Monument and an Olle Baertling Painting' (1980).