Signe Persson-Melin, a handsigned bronze "Barca" bowl later part of the 20th century Skånska Klockgjuteriet AB, Hannas
33x16x15 cm
Insignificant wear.
Signe Persson-Melin
Waldemarsudde, Stockholm, 2008: ”Signe Persson-Melin - Keramiker och formgivare”, vandringsutställning,
Kulturen, Lund, 2009.
Röhsska museet, Göteborg, 2010.
Jan Norrman, Kerstin Wickman, "Signe Persson-Melin Keramiker och formgivare", Stockholm 2008, compare model on the book cover and pages 52-53.
The model designed in 1999. Barca means ferry in Portuguese and refers to the shape of the bowl.
The designer Signe Persson-Melin (1925-2022) began her career with an internship at Lomma Ler och Keramik, which produced flower pots. This was followed by education both at Konstfack in Stockholm and the Kunsthandvaerkerskolen in Copenhagen. Her debut exhibition at Galleri Moderne in Stockholm in 1953 was a great success with the critics as she was hailed as a newly discovered talent. At the H55 exhibition in Helsingborg 1955, she became known to a wide audience for her spice jars in white-glazed ceramics. Through the many years that followed, she created many design classics in glass, clay and metal. As a designer of glass, she came to renew the set table in the early 1970s. Signe began a collaboration with Byarums Bruk around 2008, where her first work was the planters in the 'Gråsippa' series. It was a successful collaboration with many appreciated products that continued until her death in 2022.
Signe Persson-Melin had her own workshop in Malmö 1950-66, was associated with Höganäs-Keramik 1967-78 and Rörstrand 1978-85. As a professor at Konstfack, she was active in 1985-90 and 1993-95. She worked with chamotte stoneware and became one of the main representatives of a new rustic ware. She has drawn stoneware teapots and several series of tableware. Since 1953, she has set up several solo and collective exhibitions and created a number of public decorations.
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