Wes Wilson, concert posters, a pair, West Coast Lithograph, 1966.
Signed and dated in the print. Offset lithograph, sheet size 61.4 x 33.6 cm, "Bill Graham Presents The Sound, Jefferson Airplane, Muddy Waters, Butterfield Blues Band, Live at Winterland and Fillmore Auditorium" and offset lithograph, sheet size 62.3 x 35.2 cm, "Bill Graham Presents Bola Sete, Country Joe and the Fish, Buffalo Springfield, Live at Fillmore Auditorium". Printed by West Coast Lithograph Co., SF.
Minor wear, creases in the margins Paper-rubbing. Soft corners.
According to information, purchased in San Francisco in the 1960s.
Heavily influenced by stylistic elements from Art Nouveau and with psychedelic's melting typography, Wes Wilson left an unmistakable mark on the aesthetics of the late sixties. With adjacent complementary colours and expansive compositions, his works become a kind of popular culture's equivalent to the older art history's horror vacui. This is particularly evident in record covers, or, as in the auction's concert posters, promotional material for Bill Graham's various events at, among others, San Francisco's Fillmore Auditorium – where bands like The Velvet Underground, Doors, and Jimi Hendrix Experience performed. Or, the Grateful Dead, who between 1965 and 1969 played over fifty shows at the venue. His influence affected contemporary artists such as Rick Griffin and Stanley “Mouse” Miller and helped establish a style that remained highly vital into the following decade.