Öyvind Fahlström
Covered by droit de suite
Image rights
The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.
What will the transport cost?
Packaging and insurance
All items sent from Bukowskis are fully insured and carefully inserted in discreet packaging to protect your unique item.
How do I book a transport?
When the payment is settled, you're welcome to book transport on My Pages
When will my item be delivered?
Your order will be prepared within 2-5 days after the transport is booked. You will receive a message by mail, text or phone when your item is on its way. Please note, when making payment via Klarna, that the address for home delivery must be the same as your invoicing address.
For condition report contact specialist
"Sitting...Dominoes"
Signed Öyvind Fahlström and numbered 27/50 on the label verso. Silkscreen and pochoir in colors on vinyl, plexiglas, magnets, enamel on metal, 1966. Printed by Maurel Studios, New York; Shiela Marbain, master printer. Published by Multiples, Inc., New York. 71,8 x 102,6 x 1,8 cm
Provenance
Stalke Galleri, Kirke Saaby, Denmark.
Private Collection.
Exhibitions
Stalke Galleri, Kirke Saaby, Denmark, "On View 1", 24 October - 5 December 2009.
Another example exhibited;
Galerie Ahlner, Stockholm, “Öyvind Fahlström - The Complete Graphics and Multiples”, 6 - 24 November 1976.
Arnold Herstand & Co., New York, “Öyvind Fahlström: The Complete Graphics”, 15 March - 16 May 1990.
Moderna Museet, Stockholm, "Pop Art & Nouveau Réalisme", 26 December 1991 - 9 August 1992.
Gallery 400, University of Illinois at Chicago, “Öyvind Fahlström - The Complete Graphics and Multiples”, 18 October – 27 November 1999.
Bildmuseet, Umeå, “Öyvind Fahlström / Grafik och multiplar”, 12 March – 1 May 2000.
Norrköpings konstmuseum, Norrköping, “Öyvind Fahlström - Samlad grafik och multiplar”, 30 October - 9 January 2000.
Travelling exhibition: “Öyvind Fahlström”, Museu d'Art Contemporani de Barcelona (MACBA), Barcelona, (18 October 2000 - 8 January 2001). Centro Studi sull’arte Fondazione Ragghianti – Complesso monumentale di San Micheletto, Lucca, (February – May 2001) Massachusetts Museum of Contemporary Art (MASS MoCA), North Adams, (June – October 2001) BALTIC. Centre for Contemporary Art, Newcastle UK (February 2002)
Aurel Scheibler, Cologne, “Öyvind Fahlström: The Complete Graphics and Multiples”, 2001
BAWAG Foundation, Vienna, Austria, “Öyvind Fahlström - The Complete Graphics and Multiples”, 7 December - 3 March 2002.
Tillou Fine Art, New York, "Öyvind Fahlström Drawings and Paintings / The Complete Graphics and Multiples", 22 February - 5 April 2003.
Museum of Contemporary Art De Domijnen, Sittard “Öyvind Fahlström: The Complete Graphics and Multiples”, Museum
of Contemporary Art De Domijnen, 2003.
Moderna Museet, Stockholm, "Explosion", 2 June - 9 September 2012.
Kunsthalle Düsseldorf, "Simon Evans & Öyvind Fahlström - First we make the rules, then we break the rules", 15 December 2012 - 17 February 2013.
Literature
Sidney Janis Gallery, "Exhibition of New Work by Öyvind Fahlström", 4-28 April 1973, New York, another example illustrated in the exhibition catalogue, no. 5.
Moderna Museet, Stockholm, "Pop Art & Nouveau Réalisme", 26 December 1991 - 9 August 1992, another example illustrated in the exhibition catalogue p. 26.
Jean-Francois Chevrier et al., "Fahlström - Another Space for Painting", 2001, another example illustrated pp. 148, 149. Also another example illustrated (detail) pp. 150, 151, and 152, as well as another example mentioned in the catalogue raisonné for the travelling exhibition “Öyvind Fahlström”, Museu d'Art Contemporani de Barcelona (MACBA), Barcelona, (18 October 2000 - 8 January 2001), p. 363.
Sharon Avery-Fahlström, "Öyvind Fahlström - The Complete Graphics, Multiples and Sound Works",
BAWAG Foundation, Wien 2001, Work No. 6, p. 8
Elodie Evers, Magdalena Holzhey (ed.), "Simon Evans & Öyvind Fahlström - First we make the rules, then we break the rules", 2012, another example illustrated p. 11.