No connection to server
Theme auctions online
Timeless Sculpture E1152
Auction:
Chalet Interiors E1096
Auction:
A Modern Selection F602
Auction:
Einar Forseth F596
Auction:
Silver Coins, A Collection E1137
Auction:
 Inge Schiöler – Works on Paper F611
Auction:
Timeless Scarves E1151
Auction:
Helsinki Design Sale F612
Auction:
Live auctions
Contemporary Art & Design 662
Auction: April 15−16, 2025
Important Timepieces 663
Auction: April 15, 2025
Modern Art & Design 664
Auction: May 20−21, 2025
Important Spring Sale 665
Auction: June 11−13, 2025
747
1576525

Carl Milles

(Sweden, 1875-1955)
Estimate
1 200 000 - 1 500 000 SEK
107 000 - 134 000 EUR
108 000 - 135 000 USD
Hammer price
1 200 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
For condition report contact specialist
Lena Rydén
Stockholm
Lena Rydén
Head of Art, Specialist Modern and 19th century Art
+46 (0)707 78 35 71
Carl Milles
(Sweden, 1875-1955)

"Europa och tjuren" (Europa and the bull).

Foundry mark L. Rasmussen, Copenhagen. Bronze, green patina, height 77 cm, length 67 cm, width 33 cm.

Provenance

Acquired by the present owner's grandfather in 1956.
Thence by within the family.

Literature

M.P. Verneuil, Carl Milles. Sculpteur suédois, 1929, compare p. 52-54.
Alfred Westholm, Milles – en bok om Carl Milles konst, 1949, the motif mentioned p. 52‑53.
Henrik Cornell, Milles skönhetsvärld, 1957, compare p. 70-75, no 13-17.
Henrik Cornell, Carl Milles, SAK, 1963, the motif mentioned p. 54-62.
Meyric R. Rogers, “Carl Milles. An interpretation of his work”, 1973, compare p. 24-25, pl. 33-37.
Erik Näslund, Carl Milles – en biografi, 1991, the motif mentioned p. 192-195.

More information

In the sculpture group "Europa och Tjuren" (Europa and the Bull) Carl Milles captures the contrast between the heavy, powerful bull and the graceful, fleeting female figure, between masculine strength and feminine charm. Movement and flight are common characteristics in Milles' art, and Europa's fluttering cloak enhances the forward motion in an elegant manner. Despite its weight, "Europa och Tjuren" conveys a sense of weightlessness. Today, "Europa och Tjuren" is considered one of Carl Milles' absolute masterpieces.

During the first half of the 20th century, Milles was the sculptor who dominated the Swedish art scene. He completed a very large number of public commissions in Sweden and abroad. He was the monumental sculptor who received major decoration commissions at a time when many cities were being expanded and modernized.

In 1921, the city of Halmstad, through a donation, received funds for a city fountain, and a competition was announced. The submissions received were not up to standard, so the authorities turned directly to Milles. The choice of motif and design was clear early on for the artist, and in the same year, he wrote to his wife Olga in a letter dated June 1, 1921:

"The gentlemen from Halmstad were very pleased with Tritonbrunn (Triton Fountain) featuring Europa och Tjuren."

However, it would take five years before Milles was satisfied with the final composition, and the monumental fountain "Europa och Tjuren" was put in place. Milles drew the motif from ancient mythology - the Phoenician princess Europa who was carried across the sea by the god Zeus, who had transformed himself into a bull. In the Halmstad city fountain the monumental bull rises with Europa on its back.from the middle of the basin, Around them, water sprays from the four tritons placed at the corners of the basin.

The Royal Court foundry Lauritz Rasmussen in Copenhagen was awarded the casting of the sculpture group and finally delivered the fountain in 1926. At that time, Lauritz Rasmussen was in constant competition with the Herman Bergman foundry in Stockholm concerning Milles' larger sculpture groups. The auction's sculpture "Europa och Tjuren" is, like the original, cast at the foundry of Lauritz Rasmussen in Copenhagen.

In 1931, Milles was offered a professorship for the sculpture department at the Cranbrook Educational Community in Michigan by newspaperman Georg Gough Booth. During his two-decade-long stay at Cranbrook, he worked closely with his friend, the architect Eliel Saarinen. Together, they designed the surroundings, which were adorned with sculptures, including "Europa och Tjuren" at Millesgården in Stockholm, a replica of the sculpture group can be found, and additional examples of the fountain's central figure are located at the University of Tennessee in Knoxville, USA.

Photo: Yanan Li, Millesgården.

Artist

Carl Milles was a Swedish sculptor born in Lägga. He studied at the Technical School in Stockholm, at the Ecole des Beaux-Arts in Paris under Auguste Rodin and on study trips to Germany, the Netherlands and Belgium. In Paris he came to stay for many years and made a living as an ornament carver. He studied the animals in the Jardin des Plantes (the Zoological Garden) and was strongly influenced by Auguste Rodin. Milles made a breakthrough with a monument to Sten Sture in Uppsala. He exhibited at the World's Fair in 1900 and was later given a solo exhibition at the Tate Gallery in London. Milles was professor of modeling at the Royal Academy of Arts in Stockholm. Well-known sculptures in public places signed by Carl Milles are the "Gustav Vasa" statue at the Nordic Museum, "Orfeusgruppen" outside the concert hall in Stockholm and the "Poseidonfontänen" in Gothenburg.

Read more