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1574058

Carl Milles

(Sweden, 1875-1955)
Estimate
300 000 - 350 000 SEK
26 700 - 31 100 EUR
27 500 - 32 100 USD
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

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For condition report contact specialist
Rasmus Sjöbeck
Stockholm
Rasmus Sjöbeck
Assistant Specialist Classic Art
+46 (0)727 33 24 02
Carl Milles
(Sweden, 1875-1955)

"Folke Filbyter"

Foundry mark Herman Bergman fud. No 2 1951. Bronze, green patina, height 73 cm. Column included.

Provenance

Purchased by the current owner's grandfather

Literature

M. P. Verneuil, "Carl Milles. Sculpteur suédois", 1929, compare page 78-90.
Henrik Cornell, "Milles skönhetsvärld", 1957, compare p. 23 and pl. 21-25 and pl- 70.
Henrik Cornell, "Carl Milles", SAK 1963, compare p. 68-72.
Erik Näslund, "Carl Milles. En biografi", 1991, compare p. 167-169.

More information

Folke Filbyter is one of the most legendary figures from the Swedish medieval period. Folke Filbyter, the progenitor of the Folkunga dynasty, is depicted on horseback as he, according to legend, rode out in search of his grandson who had been abducted by monks. The inspiration for this motif was drawn by Milles from Verner von Heidenstam's novel "Folkungaträdet" which he had read as early as 1909, the same year his friendship with the author began. In Heidenstam's portrayal, Folke Filbyter's horse slipped on a wet stone as it crossed a ford, and it is this incident that Milles chose to depict. The composition is centered on the vigorous movement that arises when the horse momentarily loses its balance and uses the weight of its head in an attempt to regain control. The rider looks downward to quickly assess the situation. In this way, Milles captures the sense of movement he sought to portray.

The sculpture "Folke Filbyter" is a smaller version of the monumental sculpture group in the Folkunga Fountain that Carl Milles executed for the main square in Linköping in 1927. The group, through its well-thought-out composition, achieves remarkable versatility and meets the fundamental requirement of classical sculpture that a true free-standing sculpture must withstand viewing from seven different sides. When the Folkunga Fountain in Linköping was unveiled on the night of December 12, 1927, in torchlight and twenty degrees of frost, Verner von Heidenstam delivered the inauguration speech, stating: "It is a pioneering work, acting on the popular imagination, enriching and deepening."

Photo: Carl Milles at Millesgården, photografer Anna Riwkin, ca 1950.

Artist

Carl Milles was a Swedish sculptor born in Lägga. He studied at the Technical School in Stockholm, at the Ecole des Beaux-Arts in Paris under Auguste Rodin and on study trips to Germany, the Netherlands and Belgium. In Paris he came to stay for many years and made a living as an ornament carver. He studied the animals in the Jardin des Plantes (the Zoological Garden) and was strongly influenced by Auguste Rodin. Milles made a breakthrough with a monument to Sten Sture in Uppsala. He exhibited at the World's Fair in 1900 and was later given a solo exhibition at the Tate Gallery in London. Milles was professor of modeling at the Royal Academy of Arts in Stockholm. Well-known sculptures in public places signed by Carl Milles are the "Gustav Vasa" statue at the Nordic Museum, "Orfeusgruppen" outside the concert hall in Stockholm and the "Poseidonfontänen" in Gothenburg.

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