No connection to server
Theme auctions online
Helsinki Winter Sale F504
Auction:
Selected Gifts E1128
Auction:
Curated Timepieces – November F529
Auction:
Josef Frank and Friends – Winter Edition F534
Auction:
Jern's Weapon Collection E1122
Auction:
A Swedish Private Collection F578
Auction:
The Beautiful Line F593
Auction:
Design Jewellery Online E1100
Auction:
673
1563117

Philip Burne-Jones

(United Kingdom, 1861-1926)
Estimate
25 000 - 30 000 SEK
2 220 - 2 670 EUR
2 270 - 2 720 USD
Purchasing info
What will the transport cost?

Packaging and insurance

All items sent from Bukowskis are fully insured and carefully inserted in discreet packaging to protect your unique item.

How do I book a transport?

When the payment is settled, you're welcome to book transport on My Pages

When will my item be delivered?

Your order will be prepared within 2-5 days after the transport is booked. You will receive a message by mail, text or phone when your item is on its way. Please note, when making payment via Klarna, that the address for home delivery must be the same as your invoicing address.

For condition report contact specialist
Rasmus Sjöbeck
Stockholm
Rasmus Sjöbeck
Assistant Specialist Classic Art
+46 (0)727 33 24 02
Philip Burne-Jones
(United Kingdom, 1861-1926)

Self-criticism

Signed Philip Burne-Jones and dated 1892. Oil on canvas 62 x 51 cm.

Provenance

Private Collection, Sweden.
Thence by descent.

More information

Philip Burne-Jones was the eldest son of the Pre-Raphaelite artist Edward Burne-Jones. He seriously pursued painting as a career and had his debut exhibition in 1886 at the Grosvenor Gallery in London. He also participated in exhibitions at Dowdeswell Galleries, Goupil, and New Gallery. He exhibited at the Royal Academy eleven times between 1898 and 1918, and at the Salon in Paris in 1900, where he displayed his portrait of his father, now housed at the National Portrait Gallery.

There is a second version of the auction's painting in the collection of Touchstones Rochdale museum titled "An Unfinished Masterpiece". The museum describes this version as follows: "Here he paints a romanticised view of an artist suffering in poverty for their vocation, sat dejectedly in front of his canvas at a loss for inspiration. Whilst this would have been a reality for many artists, others became wealthy. The 1850s to 1870s was a boom time for the art market and in the 1861 census artist was listed as a profession for the first time."