Bruno Liljefors

The auction's painting from 1899 is both evocative and intimate, depicting the harmony of nature in the transition between day and night. Bruno Liljefors, one of the most prominent artists in Nordic animal and landscape painting, was known for renewing the tradition by depicting the animal kingdom from the animals' own perspective rather than through human eyes. This work is an excellent example of this approach, where the otters are not only actors in the landscape but also observers of it, giving the work a unique intimacy and a quiet sense of familiarity. In the present work, we are invited to participate in a quiet moment of observation, where the viewer, through the eyes of the otters, experiences the sea and the sunset in a quiet and peaceful atmosphere. The dramatic elements that often characterise Liljefors' work, where animals and their natural enemies are often in conflict, are avoided. Instead, we are met with a moment of inner peace, where no threatening enemies are present, and where nature can be enjoyed in its most pristine form.
At this point in his career, Liljefors was particularly interested in capturing the light of nature in the early morning hours and at dusk. These transitions between day and night, where light changes rapidly and creates a dynamic between darkness and light, became central themes in his artistic development. In earlier works such as “Morgonstämnning vid havet” (Morning mood by the sea) 1896 and “Morgon” (Morning) 1894, he had already explored how these moods of light could capture the subtle beauty and dramatic changes of nature. In the current work in the auction, Liljefors returns to this theme but with a more concentrated focus on a particular time of day, when dusk descends on the landscape and the sea is transformed into a still spectrum of muted colours. Here it is the light of the calm sunset that permeates the work and gives a sense of closure, without losing the dynamism of nature that Liljefors so masterfully depicted.
The work is also an interesting reflection of Liljefors' development as an artist in the late 19th century, when he began to explore the emotional and psychological aspects of his landscapes to a greater extent. His depictions of nature were no longer just objective representations of landscapes and animals, but also expressions of his own inner world and his relationship with nature. “Uttrar vid havet, solnedgång” (Otters by the Sea, Sunset) can therefore be seen as a work in which Liljefors seeks to capture more than just a visual reality; he endeavours to capture the emotional resonance that nature can evoke in the viewer. Here we get a glimpse into his artistic soul, where, through the interplay of animals and landscape, he reflects on nature's own tranquillity and the transition between day and night, life and death.