Cui Zifan
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Cui Zifan (1915-2011), ink and colour on paper. 'Cat and goldfish'.
Signed and with calligraphy. Ink and colour on paper. Cat and goldfish. Measure motif 66x44.5 cm. Measure with frame 103x60 cm.
Provenance
Ronnie Nilsson (1945–2024) was a renowned commercial photographer and artist. He photographed design and art, creating beautiful environments and interiors. His lighting techniques were widely recognized within the field. Nilsson worked for companies such as DUX & Silverberg and Kosta Boda, as well as for famous Swedish artists like Barbro Nilsson. Ronnie Nilsson lived in Lund, in southern Sweden, where he decorated his apartment with a strong sense of aesthetics.
For 25 years, Ronnie spent the winter months traveling and living in Asia, where he found inspiration and purchased art. The works of Cui Zifan held a central place in his home, serving as inspiration for its colour scheme and interior design. He even commissioned several pieces of furniture in the colours of the paintings.
More information
Cui Zifan 1915-2011, Shandong China
Cui Zifan is a well-known Chinese ink painter recognized for his spontaneous style and versatility, reminiscent of Qi Baishi (the most influential ink painter in the history of Contemporary Chinese art). Lars Berglund, former curator at the Museum of Far Eastern Antiquities in Stockholm first introduced the director of Alisan Fine Arts to Cui in 1991 while the artist had a solo exhibition in Macau. Alisan Fine Arts then held a solo exhibition for Cui in 1992, for which Prof Berglund wrote an essay in the accompanying catalogue stating that Cui “has succeeded so well in cultivating his clumsiness that his style of painting has been called refined clumsiness (hou zhuo).”
From an early age, Cui developed an interest in painting but never had the opportunity to formally study art. Although his family lacked the means to buy brushes, paper, and other art supplies, Cui was not deterred. He would practice his art and calligraphy on a table, substituting ink with limewash. His paintings have a natural and deliberate naïveté that make the compositions look deceptively simplistic, achieving the effect of “disciplined abandonment.”
In adulthood, Cui struggled to find time to paint due to his many public posts. It was not until 1951, under the influence of his friend and advisor Qi Baishi, that Cui carved out the time to dedicate to his craft. From 1956, Cui held several official posts, first as Secretary-General of the Beijing Academy of Chinese Painting, then as its Vice-President. He was also a council member of the Beijing Branch of the Union of Chinese Artists and Honorary President of the Research Association of Bird and Flower Painting in Beijing. In 1979 he was a consultant to the Beijing Municipal Bureau of Culture. In 1994 the Cui Zifan Museum was established in Qingdao. His works have been exhibited in numerous countries and collected by the National Art Museum of China, Beijing; Fine Art Museum of Research Institute of Traditional Chinese Painting, Beijing; Beijing Art Academy, Beijing; Shandong Museum, Jinan; Tianjin Art Museum, Tianjin; The Metropolitan Museum of Art, New York; and other national museums in America, Canada and Sweden.