No connection to server
618
1575504

Gösta Adrian-Nilsson

(Sweden, 1884-1965)
Estimate
30 000 - 40 000 SEK
2 650 - 3 530 EUR
2 730 - 3 640 USD
Hammer price
24 000 SEK
Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

What will the transport cost?

Packaging and insurance

All items sent from Bukowskis are fully insured and carefully inserted in discreet packaging to protect your unique item.

How do I book a transport?

When the payment is settled, you're welcome to book transport on My Pages

When will my item be delivered?

Your order will be prepared within 2-5 days after the transport is booked. You will receive a message by mail, text or phone when your item is on its way. Please note, when making payment via Klarna, that the address for home delivery must be the same as your invoicing address.

For condition report contact specialist
Mollie Engström
Stockholm
Mollie Engström
Specialist Art
+46 (0)70 748 22 63
Gösta Adrian-Nilsson
(Sweden, 1884-1965)

Trees.

Signed GAN -52. Mixed media on paper panel 34.5 x 49.5 cm.

Provenance

Bukowski Auktioner, Stockholm, Modern Art & Design 644, lot 644.
Private Collection.

Artist

Gösta Adrian-Nilsson is most notable as a visual artist, and he is a pioneer of Swedish modernism. He studied at the Tekniske Selskabs Skole in Copenhagen and later for Johan Rohde at Zahrtmann’s school in Copenhagen. As an avant-gardist, Nilsson was constantly searching for new influences. In Berlin, he was influenced by the circle around the radical magazine Der Sturm, through Kandinsky and och Franz Marc. In Paris through Fernand Legér and the artists in his circle. GAN was an eclectic in the positive sense of the word. He took the the artist styles of the 1900s and created new impressions. Symbolism, cubism, futurism, expressionism, constructivim and Theosophy were the colours occupying his internal pallet. He had a sharp eye for the masculine and his painting was often energized by the vitality of modern technology, vibrant eroticism, and echoes of tyrants. No other Swedish modern artist exhibits such a unique style.

Read more