No connection to server
298
1584479

Anna Petrus

(Sweden, 1886-1949)
Estimate
30 000 - 40 000 SEK
2 650 - 3 530 EUR
2 810 - 3 750 USD
Purchasing info
What will the transport cost?

Packaging and insurance

All items sent from Bukowskis are fully insured and carefully inserted in discreet packaging to protect your unique item.

How do I book a transport?

When the payment is settled, you're welcome to book transport on My Pages

When will my item be delivered?

Your order will be prepared within 2-5 days after the transport is booked. You will receive a message by mail, text or phone when your item is on its way. Please note, when making payment via Klarna, that the address for home delivery must be the same as your invoicing address.

For condition report contact specialist
Karl Green
Stockholm
Karl Green
Specialist Modern and Contemporary Decorative Art & Design
+46 (0)700 07 94 25
Anna Petrus
(Sweden, 1886-1949)

a pair of "Blomkruka N:r 1" cast iron flower pots, Näfveqvarns bruk, Sweden.

Relief decoration of figures. Height 22 cm, diameter 25 cm.

Wear, weather-bitten patina.

Provenance

Acquired by the present owner's grandparents during the second quarter of the 20th century.

Literature

Marie Rehnberg, "Anna Petrus: Skulptör och industrikonstnär", Arena 2009, compare p. 133.

More information

Designed as columns for the Swedish pavilion at the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925. These were reworked into flower pots after the exhibition and went into production in 1927.

Designer

Anna Petrus was a sculptor, industrial designer, and artist active in the early 20th century. She was born as Anna Petersson, the daughter of a professor of medicine and a countess, and adopted her surname while studying at the Royal Academy of Fine Arts. She inherited a modest fortune at the age of 11 when her mother passed away, which allowed her to pursue her education in London and travel to Italy and France.

Anna Petrus's major international breakthrough came with the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris in 1925, where she showcased items in pewter and cast iron, in the Swedish Grace style. Pewter was considered an outdated material at the time, but its popularity grew as designers like Petrus recognised its advantages. In 1924, she began a collaboration with the then newly established Firma Svenskt Tenn. The lion became a recurring motif in Anna Petrus's work, both as sculptures and as stylised decorations.

Read more