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1543143

Anders Bruno Liljefors

(Sweden, 1923-1970)
Estimate
4 000 - 6 000 SEK
354 - 531 EUR
362 - 543 USD
Hammer price
15 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
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For condition report contact specialist
Eva Seeman
Stockholm
Eva Seeman
Chief Specialist Modern and Contemporary Decorative art and design
+46 (0)708 92 19 69
Anders Bruno Liljefors
(Sweden, 1923-1970)

a stoneware vase, Gustavsberg studio, Sweden 1940s-50s.

Partially glazed in beige and brown, incised with vertical decoration, signed A.B.L with the studio mark and stamped GUSTAVSBERG. Height 12.5 cm.

Designer

Ceramicist and painter Anders Bruno Liljefors studied at the Royal Academy of Fine Arts from 1945 to 1947. He worked at Gustavsberg's Studio during the periods 1947-53 and 1955-57, as well as at his own studios in Roslagen and in Blekinge. Liljefors started at the Gustavsberg factory as a handyman, but his talent was quickly noticed by Wilhelm Kåge, who, after just a few weeks, provided Liljefors with his own studio in the Studio where he primarily worked with stoneware. Soon, Liljefors had his own turner, Dan Malmborg, and together they developed the rustic grey-green stoneware that became his breakthrough. His first solo exhibition was at Nordiska Kompaniet in Stockholm in 1952. It was a success, with most pieces sold. In 1955, he conducted the first experimental trials with sand casting, which attracted significant media attention when presented in the factory's shop on Birger Jarlsgatan in Stockholm. Writers were surprised, puzzled, delighted, and sceptical; terms like "Ceramic Neo-Brutalism" were coined, some saw new possibilities within architecture, while others were less impressed by the collection. These primitive and bold forms were nonetheless groundbreaking, and the Swedish stoneware tradition was thereby energised to develop in new directions. In 1961, Liljefors received the first Kåge Scholarship for his "strongly personal and refreshingly innovative style". During the 1960s, he carried out around 15 public decorations, ranging from minor decorations to entire walls.

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