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632
1551080

Per Olof Ultvedt

(Sweden, 1927-2006)
Estimate
60 000 - 80 000 SEK
5 310 - 7 070 EUR
5 430 - 7 240 USD
Hammer price
90 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Amanda Wahrgren
Stockholm
Amanda Wahrgren
Specialist Modern Art, Prints
+46 (0)702 53 14 89
Per Olof Ultvedt
(Sweden, 1927-2006)

"Saxar" from "Verk och verktyg"

Signed P.O. Ultvedt and dated 1967 on the reverse. Kinetic object, painted wood, electric motor. The wall plate/back piece measures 76 x 76 cm, with protruding moving parts. Includes 2 accompanying exhibition catalogs "Pentacle" at the Musée des Arts Décoratifs, Paris, 1968, and "P.O. Ultvedt: Tvivel och övermod - arbeten från 1945 till 1988", Malmö Konsthall 1988.

Provenance

Acquired directly from the artist.

More information

Made for the exhibition at Galleri Hedenius, Stockholm, "Verk och verktyg", 1967, possibly included.

Per-Olov Ultvedt was one of the strong and driving personalities who set art and Moderna Museet in movement during the notorious 1960s. With the famous exhibition "Rörelse i konsten" in 1961, together with the then director Pontus Hultén, the art educator Carlo Derkert and the engineer Billy Klüver, he transformed Moderna Museet into the center of events for just under three years, with the curious eyes of the whole world watching. Ultvedt participated with his mechanical and playful sculptures. He was never interested in the idea of art as something museum-like, created for eternity, but saw it as a process, a game or an action. He belongs to the generation of artists who broke with the old way of thinking of art. Many of his works have been built up over the years, only to disappear again. Labyrinths and moving machines have been built into exhibitions where they have amused, surprised, and evoked experiences in the audience. Of many of these works, only sketches and photographs remain.