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1547690

Wilhelm Kåge

(Sweden, 1889-1960)
Estimate
6 000 - 8 000 SEK
530 - 707 EUR
546 - 729 USD
Hammer price
7 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Eva Seeman
Stockholm
Eva Seeman
Chief Specialist Modern and Contemporary Decorative art and design
+46 (0)708 92 19 69
Wilhelm Kåge
(Sweden, 1889-1960)

a set of two bone china "Cintra" vases, Gustavsberg Studio, Sweden 1954.

One with glaze in celadon green hues, decorated in pencil gray, the other in a beige-toned glaze with vertical decoration of chain links, signed with the studio mark, CINTRA KÅGE Y. Height 10 cm and 10.2 cm.

The green-glazed with a few tiny nicks to the rim and a pencil cross underneath.

Designer

Wilhelm Kåge was a Swedish artist and ceramicist. Kåge is known for his ceramics for the Gustavsberg porcelain factory, where he was the artistic director from 1917 to 1949. Kåge studied from 1910 under Carl Wilhelmson at the Valand Academy of Art in Gothenburg and later under Johan Rohde in Copenhagen, where he became acquainted with Gösta Adrian-Nilsson (GAN) and grew closer to modern art. He studied graphic art in Munich and began his artistic career by designing posters for theatres and exhibitions, among other things. His connection with Gustavsberg was facilitated through the Swedish Society of Crafts and Design, as Gustavsberg needed new products for the Home Exhibition at Liljevalchs in 1917. He went on to design around thirty different dinnerware sets, as well as art pottery, colourful faience, stoneware, and various series of art pottery such as Carrara, Surrea, and Våga. In 1942, Kåge, together with Stig Lindberg, established the Gustavsberg Studio, which became a kind of aesthetic laboratory for art pottery.
At the Stockholm Exhibition in 1930, Kåge presented Gustavsberg's future sales success "Argenta," a series of art pottery primarily glazed in green but also in red, blue, brown, and celadon green, and decorated with various silver designs based on Kåge's sketches. Argenta became very popular and was produced well into the 1970s. The powerful stonewares "Farsta" were also presented at the Stockholm Exhibition and they became the ones closest to Kåge's heart and with which he continued to experiment throughout his life. The pieces improved over the years, and the most impressive and many of the most sought-after items were created by Kåge during the 1950s.

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