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419B
1556985

Jesper Just

(Denmark, Born 1974)
Estimate
150 000 - 200 000 SEK
13 100 - 17 400 EUR
13 700 - 18 200 USD
Hammer price
125 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
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For condition report contact specialist
Louise Wrede
Stockholm
Louise Wrede
Specialist Contemporary Art, Private Sales
+46 (0)739 40 08 19
Jesper Just
(Denmark, Born 1974)

'The Lonely Villa (2004)'

Executed in 2004. DVD and DVCAM pal. 5:30 min. Edition 9/10 +2AP.

Provenance

Christina Wilson Gallery, Copenhagen.

Exhibitions

Emma Museum, Espoo, 'Jesper Just: The Lonely Villa', 1 February - 28 May 2023, another example exhibited.
MAC/VAL, Paris, 'Jesper Just', 22 October 2011 - 5 February 2012, ett annat exemplar utställt.
Brooklyn Museum, New York, "Jesper Just: Romantic Delusions", 19 September 2008 - 4 January 2009, another example exhibited.
Australian Centre for Contemporary Art, Melbourne, 'Intimacy', 7 October - 30 November 2008, another example exhibited.
Witte de With, Center for Contemporary Art, Rotterdam, 'Jesper Just', 3 March - 6 May 2007, another example exhibited.
Stedelijk Museum Amsterdam, 'Jesper Just - Something to love', 9 December 2006 - 20 January 2007, another example exhibited.
Moderna Museet, Stockholm, 'Something to love', 1 January - 22 February 2006, another example exhibited.
Perry Rubenstein Gallery, New York, 'Jesper Just', 3 November - 22 December 2004, another example exhibited.

More information

The Danish gallery Nicolai Wallner describes the film on their website:

'In “The Lonely Villa” we see several distinguished looking older men in dimly lit surroundings, each seated in silence at his own table waiting for the telephone before him to ring. Once the protagonist’s phone finally rings, the face of a young man at the other end appears, singing a love song in a soft, clear voice. The older man responds with a new song, and gradually his waiting companions all join in, like the chorus of a classic Greek play. The tenderness of the men contrasts with their appearance and the situation, initially giving the scene an absurd, comical aspect. In the end, however, its poignancy predominates: these men are not ashamed to show their feelings, even in public, even in the presence of other men.'