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Anette Harboe Flensburg

(Denmark, Born 1961)
Estimate
80 000 - 100 000 SEK
7 070 - 8 830 EUR
7 290 - 9 110 USD
Hammer price
60 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Louise Wrede
Stockholm
Louise Wrede
Specialist Contemporary Art, Private Sales
+46 (0)739 40 08 19
Anette Harboe Flensburg
(Denmark, Born 1961)

'Untitled # 3'

Signed Anette Harboe Flensburg and dated 08 verso. Oil on canvas 120 x 180 cm.

Provenance

Galleri Andersson/Sandström, Stockholm.

Exhibitions

Galleri Andersson/Sandström, Stockholm, 'Walls of paper', 13 November - 19 December 2008.

More information

Anette Flensburg experiments with motifs that question our understanding of reality and how painting can reach a non-representational reality. The most common motif is empty rooms that appear to be a kind of scenography - which they are. Anette H Flensburg builds small models of her rooms, which she then lights and photographs. Based on this, she then makes her oil paintings. Flensburg is an artist who masters the painting technique with surfaces that are almost photographically precise. "Untitled #3" belongs to a series of paintings with the collection title "Walls of paper" that was shown at Galleri Andersson/Sandström in 2008. The motifs are rooms that at first glance seem abandoned; romantically shimmering stage blues that, unlike theatre stages, are devoid of actors. The paintings have something magical about them, because nothing happens, but anything can happen. The rooms are certainly empty, but there is no lack of activity thanks to the strongly patterned fabrics and materials that decorate the rooms. The movement is as much in the walls, which reflect the rest of the room like mirrors.