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1550571

Marie-Louise Ekman

(Sweden, Born 1944)
Estimate
12 000 - 15 000 SEK
1 080 - 1 350 EUR
1 170 - 1 470 USD
Hammer price
Unsold
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Louise Wrede
Stockholm
Louise Wrede
Specialist Contemporary Art, Private Sales
+46 (0)739 40 08 19
Marie-Louise Ekman
(Sweden, Born 1944)

'Fru Vennermans avsked i Malmö'

Signed and dated 1995 with dedication on the frame's verso. Gouache on silk in artist's frame 25.5 x 20.5 cm.

More information

The artist donated this artwork during the final show of the play 'Fru Vennermans avsked i Malmö'.

Compare it with the painting 'Det sovande fåret' signed and dated M.L De Geer Bergenstråhle in 1980.

'Fru Vennermans avsked i Malmö' was a comedy by Marie-Louise Ekman, which became a significant theater success in 1994-95. 225 sold-out shows were held at the Kulturhuset in Stockholm, followed by shows in Gothenburg, Malmö, Örebro, Helsinki, and London during 1994-1995. The roles were played by Gösta Ekman, Dan Ekborg, Kent Andersson, Lakke Magnusson, and Johannes Brost/Pontus Gustafsson. Directed by Marie-Louise and Gösta Ekman with music by Benny Andersson.

Artist

Marie-Louise Ekman is without a doubt one of Sweden's most eccentric artists. The consistency in her expression is striking, with a distinctive language that is unmistakably her own.

Ekman's artistry is timeless and continuously relevent. She is a leading and influential artist who often depicts everyday environments, but does not align herself with the absurdist and surrealist art forms. She travels unhindered over artistic buondaries and often ustilises art historical references, incorporating them with pop-culture references. Ekmans konstnärskap har i mycket präglats av hennes anarkistiska och klarsynta angrepp på normalitet som ständigt har manifesterats i en spännvidd som låtit henne ingå i kretsen kring den inflytelserika undergroundtidningen "Puss" och med separatutställningar på Galerie Aronowitsch.

When looking closer at her multifaceted artisty one discovers that she is a recycler. There is barely a motif that is not repeated in more than one context, not a figure that does not stir up déjà vu. One first encounters these elements in objects or paintins, then in movies, tv-seris and radio programmes. Although the media sources vary in theme and tone over the decades, Ekman continues to reference media through her art, and it is thanks to this that Ekman feels forever young.

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