No connection to server
Theme auctions online
Barbie and friends E1136
Auction:
Chinese Works of Art F512
Auction:
Curated Timepieces – December F530
Auction:
A Designer's World E1138
Auction:
International Modernists F601
Auction:
Milić od Mačve 7 paintings F592
Auction:
Helsinki Design Sale F612
Auction:
Helsinki Spring Sale F613
Auction:
Live auctions
Contemporary Art & Design 662
Auction: April 15−16, 2025
Important Timepieces 663
Auction: April 15, 2025
Modern Art & Design 664
Auction: May 20−21, 2025
Important Spring Sale 665
Auction: June 11−13, 2025
288
1554336

Rita Lundqvist

(Sweden, Born 1953)
Estimate
70 000 - 90 000 SEK
6 260 - 8 040 EUR
6 350 - 8 170 USD
Hammer price
Unsold
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Louise Wrede
Stockholm
Louise Wrede
Specialist Contemporary Art, Private Sales
+46 (0)739 40 08 19
Rita Lundqvist
(Sweden, Born 1953)

Untitled

Signed Rita Lundqvist and dated 89 verso. Panel 15 x 23 cm.

Provenance

Rooseums Konsthall, Malmö.
Anders Tornberg, Lund.
Private Collection.

Exhibitions

Rooseums Konsthall, Malmö, 'Made in Sweden', 1989.

More information

"I like to be in my own world. When the work flows, when there is a kind of balance and concentration, then I feel free."

Rita Lundqvist is frugal in both format and number of works. No more than ten paintings a year, and then it's all about working every day. She always paints right up to the last minute before the exhibitions and it has happened that she has continued to paint on already sold works after the end of the exhibition.

This effort can be interpreted as an unwillingness to let go, but it can also be an awareness that the works must be absolutely balanced in order for the figures in the paintings to correctly occupy and activate their ascetic pictorial space.

It is precisely this ability to visually grasp the viewer and the space that is Rita's strength as an artist; to capture an entire space in a small format and, with precise measurements and a solitary melancholic tone, plunge the viewer into a contemplative state.

Suddenly it becomes both obvious and easy to enter into the midst of the characters and share their strange fates. In a painting that has been created through a process that is both controlled and open:

-"Nowadays I always paint for a specific exhibition and its space. I think about numbers, formats and lines and such, and then the calculator comes out. I suggest figures and the motifs gradually emerge. The events of the painting lead me on and then problems arise such as - what the hell is going on here, she's just hanging with one arm in the air? - and then suddenly you make a stool, perfect. When the paintings develop themselves in this way, I am relieved. I like it when I forget myself in the works. I have to move on, I can't question everything. [...]

Through her works, painter Rita Lundqvist sometimes appears more like a director, a creator, who arranges and allocates roles in tableaux. Clothes and props are as if taken from another time, reduced and stylised.

The uncertainty of what is going on gives the works their unique presence. Rita dominates her surfaces - she controls and allows herself to be controlled by her own world. She, who even sewed her own stylish corduroy trousers, remains true to her solitary motto: "I do it myself, it's easier that way."

Interview taken from the exhibition catalogue, "Rita Lundqvist", published by Liljevalchs for the artist's solo exhibition in Stockholm in 2010.