Inge Schiöler

Göteborgskoloristerna is today synonymous with a handful of vibrant, expressive artistic expressions, including artists like Ragnar Sandberg, Ivan Ivarson, Åke Göransson, and Inge Schiöler. Characteristic of the group is the sensual coloration where color itself serves as the primary expressive element.
Schiöler grew up in Strömstad and at the age of 18, he was admitted as a student to Valand in Gothenburg, where he studied under Tor Bjurström. His study trips took him to both France and Spain, where he socialized with artists such as Erling Ärlingsson, Karin Parrow, and Ragnvald Magnusson.
In 1931, with the assistance of Gösta Olson at Svensk-Franska galleriet, he moved to Stockholm. He rented a studio on Urvädersgränd in Stockholm and met artists like Albin Amelin, Sven Erixon, Otte Sköld, Hilding Linnqvist, Gideon Börja, and Bror Hjort. However, Schiöler's stay in Stockholm was interrupted by his worsening mental health, and in March 1933, his family ensured his return to Strömstad.
Here, he was given access to a studio in the city's town hall. However, the young artist's mental health deteriorated further, and in October 1933, he was diagnosed with schizophrenia. He received treatment in hospitals until 1960.
During long periods, he was completely apathetic and inactive, and when he resumed painting, it was on a small scale. However, his works were exhibited at various exhibitions during this period, gaining recognition. The exhibition activities and sales were managed by Gunnar Hjortén at the Galleri God Konst in Gothenburg. Thanks to the success, the family was able to build a house for Inge Schiöler on Syd-Koster in 1956, a house that would have a decisive impact on Schiöler's life.
He found inspiration in nature and the surrounding landscape. He rarely used an easel, instead either propping the canvas against something or placing it directly on the ground. Often, several paintings were made during a single boat trip. He never hesitated when creating his paintings and never altered them afterward. The auctioned work is a tribute to the nature that meant so much to Schiöler. In intense color harmonies, he creates a suggestive early summer world beyond time and space. Summer scenes dominate his production, as he needed light and warmth as stimuli, which the auctioned work effectively conveys.