& Erik Tidstrand, a ceiling lamp, Nordiska Kompaniet & Orrefors, executed ca 1926.
Amber coloured glass, shade with engraved pattern, stem covered with cast glass modules, pendulum in antique patinated brass with stylized knob, made by Nordiska Kompaniet, shade diameter 59 cm, height 80 cm.
Minor chip to shade. The modules on the frame with chips. Not function tested.
Variants with the same glass screen depicted in the Nordiska Kompaniets archive from ca 1926-28.
Depicted in Boet: månadsskrift för hemkultur, hantverk och konstindustri, Boet, Göteborg, 1929.
A unique collection of lighting fixtures from Nordiska Kompaniet
Alongside Nordiska Kompaniet’s (NK) renowned furniture department led by Axel Einar Hjorth, there existed a thriving lighting department that is relatively unknown today. This fall, Bukowskis will share the story of NK’s lighting department, which held a prominent position during Sweden’s golden age of design from the 1920s to the 1950s. They created fixtures for various important interiors and exhibitions of the time. Nordiska Kompaniet is an integral part of Swedish design history. The brand was founded in 1902, and merely two years later, in 1904, NK’s factories were established in Nyköping. These factories played a pivotal role in the company’s success, contributing to the renowned quality that would define NK’s reputation. Employing around 500 workers, the factories became the largest industry in Nyköping. In NK’s factories, a wide range of fixtures, including custom-made and mass-produced options, were designed by the company’s leading lighting architects, including Erik Tidstrand, Bertil Brisborg, Olle Elmgren, and others. In addition to creating fixtures for department stores, they were also involved in prestigious interior design projects, producing lighting fixtures for significant locations like Stockholm City Hall, the Concert Hall, the American Line flagship M/S Kungsholm, Tändstickspalatset, as well as renowned restaurants, theaters, and cinemas. The collection being presented at Modern Art + Design spans from the 1920s to the 1950s and exemplifies distinctive styles of the era, such as Swedish Grace and Swedish Modern.
NK’s lighting department - a hidden treasure
NK’s lighting department quickly rose to become a pioneering fixtures company in Sweden, ushering in a new era of innovative designs and modern aesthetics. These fixtures were prominently displayed on the third floor, while a small workshop for manufacturing and assembly of lamps was also located within the department store. In the 1920s, Nordiska Kompaniet initiated a collaboration with Orrefors, the leading art glass manufacturer of the time. NK’s architects, Erik Tidstrand and Olle Elmgren, partnered with Orrefors’ designers, Simon Gate and Edward Hald, to create exclusive lighting fixtures for public spaces, as well as for NK’s and Orrefors’ own product lines. This collaboration led to a range of fixtures, including those for the Concert Hall in Stockholm and M/S Kungsholm, among others. Orrefors was responsible for crafting the glass details and shades, while Erik Tidstrand and his team at NK designed and constructed the fixtures. These were then produced in the metal factories in Nyköping.
Edward Hald was a Swedish visual and glass artist born in Stockholm. He studied at the business school in Leipzig, the Artists' Association School, and he also was a student of Henri Matisse in Paris. Hald's artistry in the 1910s exhibited a modernist spirit, inspired by the Fauvist Matisse. Hald designed decorations for various models and services for Rörstrand Porcelain Factory as well as for Karlskrona Porcelain Factory. Edward Hald contributed these works to the Home Exhibition in 1917 at Liljevalchs in Stockholm and was hired by Orrefors Glassworks the same year. Together with Simon Gate and glassmaker Knut Bergqvist, he experimented with overlay glass, resulting in Graal glass. The Graal technique was entirely new and revolutionary. Hald's designs for both engraved and Graal glass display Matisse-inspired elements, humor, and contemporary motifs.
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