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700
1463543

Sam Francis

(United States, 1923-1994)
Estimate
250 000 - 300 000 SEK
22 300 - 26 800 EUR
22 700 - 27 200 USD
Hammer price
560 000 SEK
Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Mollie Engström
Stockholm
Mollie Engström
Specialist Art
+46 (0)70 748 22 63
Sam Francis
(United States, 1923-1994)

Untitled.

Signed Sam Francis and dated Tokyo 1971 verso. Inscription verso Liste A73 Nr. 25. Mixed media on paper 56.8 x 76.5 cm.

Import VAT

Import VAT (12%) will be charged on the hammer price on this lot. For further details please contact customer service +46 8-614 08 00.

Provenance

Galerie Kornfeld und Klipstein, Bern
Gimpel Fils, London, 1974
Arild Wahlstrøm, Norweigan art collector, (1909 - 1994).
Thence by descent to the present owner.

Exhibitions

Galerie Kornfeld und Cie, Bern, Switzerland, "Sam Francis: Werke 1969–1973", October–November 1973 no. 40.
Gimpel Fils Gallery, London, "Sam Francis: Paintings and Gouaches 1969–1973", February 5–March 2, 1974, no. 40.

Literature

Listed in "Sam Francis: Online Catalogue Raisonné Project" with number SF71-028; SF71-038.

More information

"Painting is about the beauty of space and the power of containment" - Sam Francis

Sam Francis seemed to view his art and his own existence as part of an ongoing flow, where we are all at the center of time and space. Creation is a part of a constantly evolving growth process, a fusion of past experiences that continuously blend with new ones and transform, where colors and forms grow in and out of each other in an unbroken sequence, like a unified and smooth wave. For Sam Francis, color was more than just a medium; it had its own expressive life, it was a carrier of emotions, almost sacred.

Claudia Friedrich writes "Red, blue, yellow, green, violet - radiantly colored pigments are spontaneously and dynamically applied to paper and canvas. Thin rivulets flow across the ground, forming organic-looking constellations of form, encountering floating areas of color that emerge like luminous islands in a lake of white ground. Seemingly random and intuitive, patterns are woven, synapses established. Sam Francis’ works convey much more to us than they seem to at first glance: the finite delineation of the material through cropping and the dissolution of the separation between inside and outside provide insight into the artistic creative process."