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338
1420363

Anna Petrus

(Sweden, 1886-1949)
Estimate
20 000 - 25 000 SEK
1 790 - 2 230 EUR
1 820 - 2 270 USD
Hammer price
55 000 SEK
Purchasing info
For condition report contact specialist
Camilla Behrer
Stockholm
Camilla Behrer
Head of Design/ Specialist Modern & Contemporary Decorative Art & Design
+46 (0)708 92 19 77
Anna Petrus
(Sweden, 1886-1949)

& Estrid Ericson, 'Profilvasen', a special lidded version with finial of cut glass.

Cut amethyst coloured glass, marked A Petrus and maker's mark Stockholm X9. Total height 22.5 cm.

The glass finial with insignificant rim chips.

Provenance

Hildur Hansson (1912-1999).

Hildur Hansson was born in Southern Sweden. Eventually she was married to Erik Hansson (b. 1906) but unfortunately she was widowed when Erik died in the Finnish Winter war 1930-1940. Hildur was left with their only child, Ingemar. Hildur Hansson had early on become good friends with Estrid Ericson (1894-1981), founder of Svenskt Tenn, and hence started to collect objects from Svenskt Tenn. An interest that continued over the years and their home was filled with some very special pieces of pewter as well as furniture from Svenskt Tenn. When Ingemar Hansson grew up he continued to cultivate the interest for items from Svenskt Tenn he had inherited from his mother. The collection comprises lots nr 329-377

More information

The cover is made-to-order by the mother of the vendor, directly via Estrid Ericson.

Designer

Anna Petrus was a sculptor, industrial designer, and artist active in the early 20th century. She was born as Anna Petersson, the daughter of a professor of medicine and a countess, and adopted her surname while studying at the Royal Academy of Fine Arts. She inherited a modest fortune at the age of 11 when her mother passed away, which allowed her to pursue her education in London and travel to Italy and France.

Anna Petrus's major international breakthrough came with the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris in 1925, where she showcased items in pewter and cast iron, in the Swedish Grace style. Pewter was considered an outdated material at the time, but its popularity grew as designers like Petrus recognised its advantages. In 1924, she began a collaboration with the then newly established Firma Svenskt Tenn. The lion became a recurring motif in Anna Petrus's work, both as sculptures and as stylised decorations.

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