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335
1431478

Estrid Ericson

(Sverige, 1894-1981)
Estimate
8 000 - 10 000 SEK
735 - 919 EUR
752 - 940 USD
Hammer price
15 000 SEK
Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Camilla Behrer
Stockholm
Camilla Behrer
Head of Design/ Specialist Modern & Contemporary Decorative Art & Design
+46 (0)708 92 19 77
Estrid Ericson
(Sverige, 1894-1981)

probably, a pewter flower pot and a bowl, Svenskt Tenn, Stockholm 1930.

The rim decorated with ropes, maker's marks Stockholm D8, height 14 cm, diameter 18 cm, diameter of the bowl 23.6 cm, height 4.3 cm.

Wear.

Provenance

Hildur Hansson (1912-1999).

Hildur Hansson was born in Southern Sweden. Eventually she was married to Erik Hansson (b. 1906) but unfortunately she was widowed when Erik died in the Finnish Winter war 1930-1940. Hildur was left with their only child, Ingemar. Hildur Hansson had early on become good friends with Estrid Ericson (1894-1981), founder of Svenskt Tenn, and hence started to collect objects from Svenskt Tenn. An interest that continued over the years and their home was filled with some very special pieces of pewter as well as furniture from Svenskt Tenn. When Ingemar Hansson grew up he continued to cultivate the interest for items from Svenskt Tenn he had inherited from his mother. The collection comprises lots nr 329-377

Designer

Interior architect and designer Estrid Ericson founded, together with Nils Fougstedt, the company Firma Svenskt Tenn in 1924. Initially, they designed innovative pewter objects and employed designers such as Björn Trägårdh, Uno Åhrén, Anna Petrus, and Tyra Lundgren. In 1927, Svenskt Tenn moved to Strandvägen in Stockholm, expanding its business to homewares, furniture, and textiles. During the first years, Åhrén and Trägårdh designed the furniture at Firma Svenskt Tenn. Still, this era ended when Estrid began her successful collaboration with Austrian architect Josef Frank in the early 1930s. Estrid Ericson had a unique position within interior design and drew inspiration from her many trips abroad.

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